Dinosaurs in the Collections of The Henry Ford
9 artifacts in this set
This expert set is brought to you by:
The staff at The Henry Ford
"65 Million Years" by Kelly O'Dell, 2023
Sculpture (Visual work)
When Kelly O'Dell first began sculpting glass dinosaurs, it challenged her abilities as she explored the color and texture of glass, fashioning the eyes, horns, and claws of these beasts of the ancient past. Soon, these sculptures became more than a learning tool. Her work unearthed themes of extinction, preservation, memory, and self-reflection -- a connection to human mortality and a call to appreciate our time here on earth.
Spearfish Sinclair Station, Spearfish, South Dakota, 1980
Slide (Photograph)
Sinclair trademarked its “Dino” dinosaur logo in 1932, based on the then-held theory that underground oil came in part from decomposing dinosaurs. The long-necked, green Brontosaurus appeared on Sinclair advertisements, automotive products, and gas stations across the country. The company even branded its gasoline blends as DINO and DINO Supreme.
Hallmark "Son" Christmas Ornament, 1994
Christmas tree ornament
Kids love dinosaurs. These extinct creatures are intriguing and even a little scary -- and kids know sighting a living one is unlikely! Kids discover dinosaurs through books or come "face to face" with them during museum visits. And it's fun to imagine dinosaurs joining in human-style fun!
Barney-Inspired Halloween Costume, Made by Emily Nietering for Eric Nietering, 1993
Costume (Character dress)
When the children's television series Barney & Friends debuted in 1992, it became a runaway hit with preschool-age kids. Four-year-old Eric Nietering -- like countless other children -- was a big fan of Barney, a friendly, huggable T. Rex with an optimistic attitude. Eric’s mother Emily made this Barney-inspired costume for her son.
Still from Winsor McCay's 1914 Animated Film, "Gertie the Dinosaur"
Photographic print
Cartoonist and animator Winsor McCay created the short film Gertie the Dinosaur in 1914. With the animated Gertie on screen and McCay on stage, they performed “together” in his vaudeville act -- Gertie seemingly doing tricks in response to McCay’s commands. The techniques McCay used to bring Gertie to life were groundbreaking and influenced future animators.
Disney Imagineers Constructing Dinosaur Model in 1963 for the Magic Skyway Ride at the Ford Pavilion, 1964-1965 New York World's Fair
Slide (Photograph)
The Ford Motor Company hired Walt Disney to design a "unique and memorable entertainment adventure" as part of the company's 1964-65 New York World's Fair pavilion. The experience became the Magic Skyway ride, where guests sat in Ford convertibles through a Disney-designed show. For the show, Disney Imagineers designed larger-than-life dinosaurs using Audio-Animatronics technology.
"Dinosaur" by Lino Tagliapietra, 2005
Sculpture (Visual work)
Master studio glass artist Lino Tagliapietra fashioned this sculpture, part of his iconic "Dinosaur" series. Tagliapietra imagines dinosaurs as gentle, docile, yet powerful water-dwelling creatures, depicting them as abstract forms. His work, with its elongated, curving shapes indicative of the graceful necks of prehistoric underwater creatures, suggests the look of a dinosaur.
Best Western Dinosaur Inn Sign, Vernal, Utah, 1991
Slide (Photograph)
Roadside photographer John Margolies captured this dinosaur sign at a Best Western hotel in Vernal, Utah. Vernal is located just outside Dinosaur National Monument, created in 1915 to protect the area where paleontologists discovered over 350 tons of Jurassic Age fossils. Area businesses capitalized on their notable neighbors, branding local establishments with dinosaur images to entice tourist crowds.
The Story of the Man Who Bought a Dinosaur" Sales Brochure for the 1957 Rambler
Trade catalog
In the 1950s, Nash Motors competed with Chrysler, Ford, and General Motors by offering something the Big Three didn't: small cars. The Nash Rambler station wagon was 10 inches shorter than its rivals, and its 30 mile-per-gallon fuel economy was twice that of bigger wagons. Nash portrayed the Big Three's cars as oversized dinosaurs by comparison.