Created more than 40 years ago, the period kitchens on display in Henry Ford Museum of American Innovation remain a popular visitor draw, transporting observers to another place and time.

Hidden in plain sight in Henry Ford Museum of American Innovation are four period kitchens — the last remaining element of a 1979 museum-wide exhibit upgrade timed to coincide with The Henry Ford’s 50th anniversary. Curators created these kitchen vignettes, representing the late 1700s to the 1930s, to help visitors explore changes through time, putting into context The Henry Ford’s rich collection of over 200 years of household equipment.

These kitchens have staying power. Nearly a half century later, the display continues to resonate with visitors. Not surprising, since kitchens are at the center of activity in a home. They conjure up feelings of security, familiarity, family and friends. Immersive environments like these period kitchens in the museum possess the ability to transport visitors to another place and time. They assist in imagining the lives of people of the past and help us ponder how those experiences relate to our own today.

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Metro Detroit is an area bursting with changemakers — those who break the mold to recreate it in their own image. Simply put: Forging your own path is the Detroit way. It’s also a sentiment actively celebrated within the physical spaces of The Henry Ford as well as instilled through its educational resources accessible online and around the world.

In the city’s culinary and grower worlds, several chefs and organizations are certainly blazing their own trails, working with a fierce passion and fortitude to create more equitable workspaces and, more importantly, more equitable food systems.

Whether it’s a woman-run kitchen where all voices are valued, a restaurant opened by immigrants who refused to fail or a BIPOC-led farm rooted in food sovereignty, thought leaders headquartered right in The Henry Ford’s backyard continue to set their own table when there isn’t a seat for them elsewhere.

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In June 1878, Eadweard Muybridge was hard at work. At the Palo Alto Stock Farm in Stanford, California, the photographer positioned 12 cameras along the side of a racetrack. A wire trailed away from each camera, connected to an electromagnetic circuit. Muybridge was meticulous; he wanted the experiment to work. Leland Stanford, once governor of California, commissioned Muybridge to answer a pressing question: When a horse ran, did all four hooves ever leave the ground?

It was a contentious topic among horse-racing enthusiasts, and Muybridge believed he could settle the matter using one of Stanford’s horses. Losing the horse onto the racetrack, as the animal careened around, it tripped the camera wires. Twelve tiny negatives were the result, capturing the full motion sequence. When Muybridge developed the images, they confirmed that when the horse gathered its legs beneath it, all four hooves left the ground.

Photographs from Muybridge’s series "The Horse in Motion." / Via Wikimedia Commons

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Three brands developed by Corning Glass Works during the 20th century — Pyrex, Corning Ware and Corelle — became household names that revolutionized American kitchens and endured decades of changing consumer tastes and expectations.

Corning Glass Works found both industrial and household applications for Pyrex. The company produced Pyrex insulators and laboratory glassware alongside its increasingly popular ovenware in the 1930s. Pyrex Perfect Antenna Insulator, 1930-1939. / THF174626 

In 1908, scientists at Corning developed glass that could withstand extreme temperatures. It was initially used for industrial products like railroad lanterns and battery jars. Hoping to broaden the market, Corning spent years testing possible household applications. Encouraged partly by the success of one notable experiment — when Bessie Littleton, whose husband was a Corning researcher, used a modified glass battery jar to bake a cake — Corning introduced Pyrex, a line of temperature-resistant glass cookware. The launch of Pyrex in 1915 inaugurated a new Corning division dedicated to consumer products.

This early advertisement for Pyrex ovenware touts its many advantages. National Geographic, 1916. / THF709296

Pyrex bakeware entered the market at an advantageous time. In the early 20th century, the principles of scientific management — used in industrial settings to improve efficiency — found their way into the kitchen. Transparent Pyrex ovenware fit the bill — it performed well, was easy to clean and could go from oven to table. The Pyrex line was expensive at first — marketed initially to women of means interested in up-to-date products.

Pyrex Flameware Percolator, 1939-1951. / THF191912 

Pyrex’s excellent performance in baking was unquestionable. Yet, to become a greater contender in the cookware industry, Pyrex would need to be usable for top-of-stove cooking on an open flame. The introduction of Pyrex Flameware in 1936 added this feature, increasing the product’s appeal. Too, changes in manufacturing helped make Pyrex more affordable by the 1930s.

Corning Ware Casserole Dish, 1960-1961. / THF192899 

Next up? The accidental discovery of a new material — glass-ceramic — by a Corning research chemist in 1952. The gleaming white opaque material could withstand extreme cold and heat and didn’t break when dropped. First used in nose cones for radar-guided missiles, this new material found its way into the kitchen in 1958 as Corning Ware — a line of innovative, shatterproof cookware that could go right from the freezer to the oven or range and then to the table as a serving dish.

Corning advertisement, 1968. / THF710401

Versatile, durable, attractive and affordable, Pyrex and Corning Ware became staples in American kitchens.

Color and More

Pyrex Primary Colors Mixing Bowl Set, 1949-1957 and three Pyrex Primary Colors Refrigerator Dishes with Lids, 1947-1960. / THF167736, THF176489, THF176490 and THF176488

By the late 1940s, Corning sought to appeal to evolving post-World War II tastes with a focus on the center of the American home — the kitchen. Continuing the trend toward enlivening kitchens with new products in vibrant choices, Corning transformed Pyrex from colorless to colorful with the “Primary Colors” line, introduced in 1947. Customers could mix and match sets of cookware that were practical and functional but also stylish.

Cornflower Pattern Percolator, Teapot and Platter 1960-1961. / THF370218, THF370237, THF191905

Corning applied a similar styling approach to its revolutionary Corning Ware line. The popular Cornflower Blue pattern, introduced in 1958, became synonymous with Corning’s brand identity. It appeared on all sorts of products — most famously on casseroles but also on percolators, teapots and platters. Consumers could buy pieces as needed and eventually collect a color-coordinated set of cooking and serving ware. Later patterns reflected new trends and helped broaden the market for Corning Ware.

This Corning Ware brochure shows patterns available in 1987 — Shadow Iris, Pastel Bouquet, Spice O’ Life and the iconic Cornflower Emblem — as well as the now-classic French White line of casseroles. / THF709300 

Revolutionizing the Dinner Table

Corelle Livingware cups and saucers in Butterfly Gold, 1971. / THF195008, THF195009, THF195011

Unlike Pyrex and Corning Ware — products made of new materials created without a singular purpose in mind — Corning deliberately pursued another kitchen innovation in the 1960s. The company thoroughly researched consumer preferences in dinnerware and then set to work on improving it. A breakthrough came in 1965 when a Corning scientist developed a laminating technique that produced very thin, yet very strong glass. Corning introduced Corelle Livingware, dinnerware made from this light and durable layered glass, in 1970.

Corelle Livingware dinnerware set in Spring Blossom Green, 1971. / THF195020

Corelle was a radical departure from the past, where expensive dinner sets consisted of many pieces, including luncheon plates and soup and salad bowls. By contrast, the first Corelle Livingware service consisted of a set of four large plates, four medium bowls, and four cups and saucers, retailing for the attractive price of $19.95. In addition, Corning provided a two-year guarantee to replace any piece that broke.

Corning’s savvy marketers compared Corelle to fine china. Product packaging with the slogan “looks, feels, and rings like china” depicted a mother “pinging” a Corelle plate. The company also offered consumers a selection of fashionable patterns. Pieces from the debut collection featured Butterfly Gold, Spring Blossom Green, Old Towne Blue and Snowflake Blue designs around the rim. Corning’s greens and golds were variations of the Harvest Gold and Avocado Green color schemes iconic of the late 1960s and early 1970s.

Corelle was incredibly successful and changed middle-class American dining habits — it was chic yet durable and inexpensive enough for casual use. Corelle frequently sold out and was back-ordered throughout the 1970s. Corning continually added new “lifestyle” patterns and discontinued old ones to keep up with the latest decorative trends.

Still the Standard

Corning Pyrex FreshLock Plus food storage set with Microban antimicrobial product protection, 2022. / THF195359 

Corning continually updated its Pyrex, Corning Ware and Corelle lines with new products that retained the qualities that had made them household names. The company sold its housewares division in 1998, but all three brands remained staples of American kitchens. In the 21st century, updated variations and marketing approaches appealed to changing tastes and lifestyle trends. Sets of Pyrex dishes designed for cold storage, portability and easy reheating featured locking plastic lids with odor-preventing technology. Marketers imagined new uses for classic Corning Ware, even designating some iconic French White casseroles as official companion pieces for the cult favorite Instant Pot brand of multicookers. (The company that manufactured Corning housewares merged with Instant Brands in 2019.) Continually updated Corelle patterns appealed to contemporary tastes.

Corelle Livingware dinnerware set in Northern Pines, 2022. / THF195362

Durable, convenient and stylish, the iconic brands developed by Corning in the 20th century continue to have relevance in today’s kitchens.

Charles Sable is curator of decorative arts, Jeanine Head Miller is curator of domestic life and Saige Jedele is associate curator at The Henry Ford.

glass, by Jeanine Head Miller, by Charles Sable, 20th century

Illustration by Michael Eugene

Way before the advent of the internet and reality cooking shows, California-born Julia Child was sharing traditional French recipes on her television show The French Chef, which aired from 1963 to 1973.

As a cooking show pioneer, Child was well-loved in America and around the world. A big part of her appeal was the fact that anyone who enjoyed cooking — or eating — could relate to her as a person. She had no airs or graces, and her audience saw her as a humble home cook, spontaneously and excitedly experimenting in the kitchen, sharing her love of food with anyone who wanted to learn. Today Child’s lighthearted, trial-and-error approach to cooking continues to influence cooks in the digital age who are working hard to preserve obscure recipes from the past.

When the internet became mainstream in the early 1990s, the way people shared food and cooking knowledge began to change. Able to receive feedback from fans and critics almost instantaneously, online cooks developed a more interactive and dynamic relationship with their audience, and the content they created sometimes took on a life of its own.

One of Child’s greatest fans was American food writer Julie Powell, who started blogging on the news and opinion website Salon in 2002 about her attempts to cook all the recipes in Julia Child’s book Mastering the Art of French Cooking. In 2005, Powell’s posts were compiled into a cookbook titled Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen. Powell’s journey — which had a profound impact on her own personal growth — was adapted in 2009 into the Nora Ephron-directed film Julie & Julia, starring Amy Adams as Powell and Meryl Streep as Child.

Thankfully, Powell’s legacy, and that of Child, lives on. Today home cooks around the world have adopted their educational and exploratory cooking styles, using different online platforms to raise public awareness about historical recipes, stories, cooking methods and practices.

Through Instagram, TikTok, YouTube, podcasts, websites and newsletters, internet cooks are connecting with a wide audience to preserve foods from the past.

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Illustration by Julie Friedman / Getty Images

The answer lies in understanding what local populations need and finding solutions with zero negative consequences. That’s sustainable. Many argue, however, that the health of the planet and well-being of its residents require a regenerative food system, one that eliminates harmful greenhouse gas emissions caused by chemical- and fossil-fuel-dependent agriculture. At present, agriculture and food processing contribute 30% to emissions that cause global warming. The planet has not been able to naturally sequester these emissions since 1945. A sustainable food system must offset and reverse these factors.

So how do we accomplish this? Ingenious strategies and innovative solutions designed and implemented locally can address the challenge. Models exist. Generations of growers have cultivated fields and tended livestock in tune with local resources. Acequias (engineered irrigation canals) in arid farming areas and terraced fields in mountainous regions confirm some of the strategies adopted over centuries to feed growers and those dependent on growers. Local ingenuity can turn alternative agriculture with little to no synthetic chemical dependence into regenerative agriculture. Yes, growers must play a central role, but customers committed to buying directly from growers at local markets must support the effort too.

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To celebrate the completion of the first six months of work on our 2022-2024 IMLS Museums for America – Collections Stewardship Program, the Conservation staff are highlighting some standout objects we have cleaned and repaired. This grant began late last year as part of a two-year project to conserve, rehouse, relocate and create fully digital catalog records for 1,800 objects related to agriculture and the environment that have resided in the Collections Storage Building. Many of these objects will be used to support our Edible Education and Green Museum initiatives.

Stop by the back of the museum, near the steam engines, to get a peek through the windows of the Conservation lab and see what staff are currently conserving.



One of the first objects chosen for the grant was this entertaining dolphin-patterned culinary mold that received a thorough cleaning. The image above was taken during cleaning.



The inscription reads: “OF ALL Y FISHES IN Y SEA / I AM DOLPHIN EAT OF ME” / THF192318



This glass washboard was cracked in nine places and previously mended, but the glue was discolored from aging. The tin soap tray mounted in the wooden frame was  corroded.

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IMLS grant, #Behind The Scenes @ The Henry Ford

My friend Jennifer introduced me to Marian Morash’s The Victory Garden Cookbook (Alfred A. Knopf, 1982) in 2022. She explained that the cookbook was her mother's go-to wedding present. When Jennifer and her daughter saw a feature article about Mrs. Morash and her husband in Better Homes & Gardens (2017) they wrote her. They thanked her for the inspiration the cookbook provided three generations of cooks in Jennifer's family, and the modest Beard-Award-winning chef, author and TV personality wrote back, amazed that the cookbook could still be found.

Marian’s inspiration came from none other than Julia Child who passed along partially cooked foods from a cooking show that Marian’s husband, Russell Morash, piloted in 1962. The following summarizes the connections that laid the groundwork for the influential Victory Garden Cookbook.

Dust jacket, The Victory Garden Cookbook (1982). / THF708642



Hardcover, The Victory Garden Cookbook (1982). / THF708645

Morash's Background and Inspiration

Morash’s husband, TV producer Russell Morash, first encountered Julia Child, co-author of Mastering the Art of French Cooking (1962), on the WGBH-TV show I’ve Been Reading, in an episode likely broadcast on February 19, 1962. Child captivated WGBH-TV staff and viewers with her cooking demonstration, and the station decided to produce three pilot episodes of The French Chef. These aired in 1962 on July 26 (the omelet), August 2 (coq au vin) and August 23 (the souffle). The new series, The French Chef, debuted February 11, 1963. Marian’s husband, Russell Morash, produced the new series. The half-prepared recipes that Russell salvaged from the show, along with Julia Child’s directions written to Marian so she could complete the cooking, nurtured the nascent chef. In 1975, Marian co-founded Straight Wharf Restaurant in Nantucket, Massachusetts, and ran it as executive chef.

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recipes, gardening, by Debra A. Reid, agriculture

The current What We Wore exhibit in Henry Ford Museum of American Innovation, on display through August 2023, features clothing worn for some of life’s milestones.

Milestones mark a significant change or stage in life. There are many milestones — though type and timing may be a bit different for everyone. For some milestones, we wear special clothing (marriage), for others, we do not (first driver’s license). The customs and traditions that mark these milestones may evolve over time.

The clothing we wear for a particular milestone may reflect religious symbolism or cultural identity. It may mirror tradition or follow fashion trends. And it often becomes immortalized in photographs.

Dress worn by Megan Mines, 1980. Gift of Cindee Mines. / THF169506 



Megan Mines in her first-day-of-school dress, 1980. Gift of Cindee Mines. / THF128552

First Day of School
Heading to school for the first time often brings excitement, curiosity and, for some, a little anxiety. Preparing for the big day usually means fresh school supplies — crayons, pencils, notebooks, backpacks — and often a brand-new outfit to wear. Though kindergarten doesn’t mark the distinct transition to formal schooling it once did — as more kids go to child-care or attend preschool — it’s still a significant moment in a child’s life. They join the bigger kids in a setting of more structure and responsibility. It’s an emotional milestone for parents too.

Who wore this dress?
Megan Mines donned this plaid dress and set off for her first day of kindergarten in Warren, Ohio, in 1980. For Megan, the transition from home to school was not entirely smooth, seen in the uncertain look in her eyes and lack of a smile as she posed for the photographer in her first-day-of-school dress.

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The flathead Ford V-8 engine, like the one in this 1953 Indy 500 pace car, was our Motor Muster feature for 2023. / Image by RuAnne Phillips 

It was another wonderful Motor Muster at The Henry Ford on June 17-18, 2023. Under beautiful sunny skies, we welcomed nearly 700 cars, trucks, motorcycles, bicycles and even a few boats into Greenfield Village. The annual show, held each Father’s Day weekend, celebrates motor vehicles from 1933 to 1978 — some of the auto industry’s most innovative and exciting years. 


The valves on Ford’s V-8 were on the sides rather than overhead, hence the “flathead” nickname. / Image by RuAnne Phillips 

Each year we spotlight a particular make, model or special theme. For 2023, our focus fell on “Flathead Fords” — the groundbreaking V-8 engines (and the vehicles powered by them) produced by Ford Motor Company from 1932 through 1953. Unlike overhead-valve designs used by Chevrolet and some other automakers, Ford placed the V-8’s valves inside the block and alongside the cylinders. With no valves on top, the Ford engine had a “flat head” — a nickname that stuck. 


Sixteen Ford V-8 vehicles, all dating from 1932 to 1953, filled Detroit Central Market. / Image by RuAnne Phillips 

It’s an engine worth honoring in any year, but 2023 is especially appropriate as it marks the 60th anniversary of the Early Ford V-8 Club of America. This long-standing club has more than 9,000 members and 125 regional groups across the world. We are proud that the club chose to hold its 60th Anniversary Diamond Jubilee Celebration Grand National Meet in Dearborn concurrent with Motor Muster. (And yes, though Motor Muster’s time period officially starts with 1933, we made a special exception for the club and allowed some 1932 Ford V-8 cars into the show.) 


Bob Thompson posed with the 1960 Slingshot Dragster he built all those years ago with his racing partner Sam Buck. / Image by Matt Anderson 

We pulled a few related objects from our own collection and staged them in a special display at the Detroit Central Market. Naturally, we started with a flathead 1937 Ford V-8 engine. Our version is one of the 60-horsepower units Ford introduced for that model year. The “60” was advertised as a more economical alternative to the standard 85-horsepower Ford V-8. Our featured cars — all powered by flathead Ford V-8s — included a 1935 Ford Sedan, a 1953 Ford Sunliner convertible and a 1960 Slingshot Dragster built by a couple of young racers from Lockport, Illinois. One of those racers, Bob Thompson, was in the Motor Muster crowd this year. He stopped by the market to share stories and pose for a few photos with his dragster. It was a special treat for those who saw him. 


These two MG cars, a green 1938 Tickford Drophead and a red 1948 TC, were among several that helped celebrate the British marque’s centennial. / Image by RuAnne Phillips 

In an unusual twist, Motor Muster had something of a second feature this year. MG, the British company whose two-seat sports cars were popular in the U.K. and in the U.S., was formed in 1923. MG collectors and fans gathered at Motor Muster to celebrate the marque’s centennial on the Greenfield Village green.  


Greg Ingold, editor of the Hagerty Price Guide, gave instructions to an eager team of youth judges. / Image by Christy Sherding 

Our friends from Hagerty joined us again this year. The leading collector car insurance provider brought a display of two vintage Ford Broncos, copies of the company’s Drivers Club magazine and a Polaroid picture experience allowing visitors to pose for retro instant photos. Greg Ingold, editor of the Hagerty Price Guide, was especially busy over the weekend. On Saturday, he led a team of youth judges — the next generation of car collectors and enthusiasts — as they selected a car for special honors. (The young judges chose a 1938 Packard Super Eight convertible for their prize.) Later that day, Greg was on stage to help narrate our popular Pass-in-Review program, where historians comment on participating cars. Then on Sunday, he presented a talk on current trends in the collector car market. We’re grateful to Greg and the whole Hagerty team for their continuing support.


This gull-winged 1975 Bricklin SV-1 was among the more unusual vehicles at Motor Muster 2023. / Image by RuAnne Phillips