Past Forward

Activating The Henry Ford Archive of Innovation

 

Photo by KMS Photography

 

What's on this weekend's episode of The Henry Ford's Innovation Nation? Take a look!

 

 

 

Lish Dorset is Social Media Manager at The Henry Ford.

Model Ts, technology, roads and road trips, by Lish Dorset, The Henry Ford's Innovation Nation

In a current TV series celebrities donning white cotton gloves view documents and rare books as they learn about their family history. But is this really the way that professional museum and archives staff handle the hundreds or thousands of artifacts that are entrusted to their care?

What is the logic behind this practice?

The fact is that moisture, salt and dirt on human hands can damage artifacts and embed particles of dirt onto the surface of artifacts, this can permanently harm some artifacts. In the case of uncoated metals the human hand provides the perfect combination of salt and moisture in the form of sweat to cause damage in the form of corrosion. The image below shows a fingerprint on a brass plate. Continue Reading

#Behind The Scenes @ The Henry Ford, collections care, conservation, by Mary Fahey

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No one knows how it came to The Henry Ford. Last fall, it appeared on the cataloger’s desk. She noticed the book’s age, but she didn’t think much of it.

Recently, the curators went looking for the oldest items in their respective collections. I joined in on the mission, setting out to find our oldest book. I even used the card catalog in the reading room, which is not something one has to do very often these days.

For an American history institution, the result was surprising: It was a French version of Vegetius’s De Re Militari (Concerning Military Matters), published in Paris in 1536. Continue Reading

Europe, 16th century, by Alison M. Greenlee, books

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In a recent post on our blog for National Space Day, Digital Access & Preservation Archivist Brian Wilson highlighted a few concept drawings created by the Sundberg-Ferar industrial design firm, in conjunction with Lockheed and NASA, in the early 1980s. As Brian notes, these drawings of a manned space station “considered how the astronauts would perform normal earthbound tasks in the tight quarters of the space station, including the need to exercise, bathe and sleep, and how a near-zero gravity environment would affect those tasks.” The drawings shown here, for example, demonstrate how dining might work in space. If your interest is piqued, you can now browse a couple dozen more of these newly-digitized drawings on our collections website.

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

by Ellice Engdahl, space, drawings, digital collections, design

 

Jim Clark and his Racing Team with Lotus Racer, Indianapolis 500 Race, 1965 (THF 110496)

 

This year marks the 99th running of the Indianapolis 500 Mile Race, more commonly known as the Indy 500. Since the race’s inception in 1911, men and women from around the world have participated, but only 5 drivers have come from Scotland. With 2015 commemorating the 50th anniversary of the first Scottish win at Indy, here is a look at the five Scots who brought their talent from Dunfermline, Glasgow, Bathgate, Milton, and Kilmany to the Brickyard.

Jim Clark (1936-1968) became the first Scottish driver to compete at the Indy 500 in 1963, going on to start the race in five consecutive years (1963-1967). In his Indy rookie year, Clark took second place, 34.04 seconds behind Parnelli Jones.  After dropping out of the 1964 race with suspension problems, Clark rebounded the next year by crossing the finish line in his Lotus-Ford 38/1 almost two full minutes ahead of Jones. The year 1966 witnessed another second place finish, this time to Graham Hill, and 1967 saw an early exit after 35 laps due to piston problems. Unfortunately, Clark would not have the opportunity to compete the next year, as he was killed during a Formula Two race in Hockenheim, Germany on April 7, 1968. Continue Reading

Indy 500, cars, by Janice Unger, racing

Union Loyal League (alt)

We all have a unique and individual story, whether it started in this country before or after the Civil War, and the collective history of our past is the relevant ingredient that we all share. The social, political, technological, medical and scientific innovations from the Civil War were transformative and vast that serve as the foundation of the many attributes we still benefit from today.  As we get ready to celebrate Civil War Remembrance at The Henry Ford, we ask you to join us in honoring all veterans for their sacrifices and achievements in protecting, sustaining, and preserving the promise of the Constitution of the United States for “a more perfect Union.”

Brian Egen is Executive Producer at The Henry Ford.

Guests to Civil War Remembrance at Greenfield Village 2014 may have been surprised to find the Tintype Studio transformed into a living history exhibit for the weekend. The small building was outfitted as a period social club called the Loyal Union League, serving as a Lincoln campaign headquarters for the 1864 presidential race. Last year marked the 150th anniversary of President Abraham Lincoln’s reelection to a second term in office and the exhibit explored how local Union Leagues throughout the country participated in the campaign.

The previous year, The Henry Ford's Executive Producer Brian Egen and Senior Manager of Creative Programs Jim Johnson, along with members of The Petticoat Society (a living history organization), discussed the creation of a special program and interpretative scenario utilizing the Tintype Studio building. This site, because of its proximity to activities taking place at the Pavilion, Town Hall and the Village Green, was a perfect location for visitors to step back in time and experience the excitement and uncertainty of the 1864 election season. Continue Reading

19th century, 1860s, Greenfield Village buildings, presidents, Greenfield Village, events, Civil War Remembrance, Civil War, by Steve LaBarre, by Brian James Egen, by Becky Young LaBarre, Abraham Lincoln

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Does the building shown in this photograph look familiar to you? It might not ring a bell as the “Blacksmith Shop,” but that was its original purpose when it was built in Greenfield Village in 1929—which explains the horse being shod in this photo from the same year. Henry Ford intended the structure to be typical of 19th-century American blacksmith workshops, and had it furnished with equipment from a shop in Lapeer, Mich. Over the years, the building’s function has changed several times: it has been known as the Tinsmith Shop and the Activities Building, and currently it serves as the entrance to the Donald F. Kosch Village Playground. Visit our digital collections to see over 50 more newly-digitized photos of this building at various times in its history, and perhaps next time you visit our playground, you’ll take a second look at its historic entrance.

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

photographs, Greenfield Village history, Greenfield Village buildings, Greenfield Village, digital collections, by Ellice Engdahl

The 1965 Lotus-Ford Type 38 established Formula One-style design at the Indianapolis 500.

Jim Clark changed the face of the Indianapolis 500 in 1965 when he won with a rear-engine car adapted from Formula One design. His lightweight Lotus-Ford race car broke dramatically from the heavy front-engine roadsters that dominated the race after World War II. Clark's victory capped a three-year effort by some of the biggest names in racing. Driver Dan Gurney realized the potential of F1 technology at Indy and set the project in motion. Designer Colin Chapman put his expertise and reputation behind the chassis. Ford Motor Company provided resources, support, and a superb racing engine. And Jimmy Clark endured two years of disappointment - losing through no fault of his own - before taking the checkered flag in 1965. So complete was their triumph that no front-engine car has won the Indianapolis 500 since.

The Henry Ford's Archive of American Innovation is proud to preserve significant artifacts, images, texts and interviews related to Clark's groundbreaking win. Below are links to key pieces in this collection. Continue Reading

Indy 500, race car drivers, race cars, by Matt Anderson, Henry Ford Museum, Driven to Win, racing

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Inspired by Thomas Edison, Oliver Kuttner has not only driven his Very Light Car into engineering history, he’s also got one parked at the Henry Ford Museum.

Creating something new is arguably one of the most satisfying achievements in life. As engineers, our careers are littered with accounts where we’ve improved designs, given life to concepts and maybe even built something brand new and impactful.

For Edison2 founder Oliver Kuttner, all of those things have happened and his X-Prize winning Very Light Car (VLC) stands in the Henry Ford Museum’s growing collection of engineering marvels.

But unlike many of the stories about engineering brilliance, Oliver’s isn’t one about a lone genius working in solitude. Instead, his story is more modern – it’s one that revolves around inspiration coupled with collaboration. Continue Reading

by Kyle Maxey, Thomas Edison, engineering, environmentalism, Henry Ford Museum, Driving America, cars

 

The 1965 Lotus-Ford brought rear-engine Formula One design to the Indianapolis 500—a race where front-engine cars had dominated from the beginning. THF74940

 

 

From its first running in 1911, the Indianapolis 500 has been the most prestigious automobile race in the United States. But in the early 1960s, it was falling behind the technological times. Lithe, rear-engine cars lit up Formula One circuits everywhere, while Indy remained tied to heavy front-engine roadsters not fundamentally changed in a decade. It would take an English designer and a Scottish driver, with some help from an all-American racer and a Big Three automaker, to break the mold 50 years ago this month. Continue Reading

race cars, race car drivers, Henry Ford Museum, Driven to Win, racing, Indy 500, Ford Motor Company, cars, by Matt Anderson