Posts Tagged 20th century
The Richart Wagon Shop is another example of Henry Ford’s interest in American transportation history. It was built in 1847 by Israel Biddle Richart in Macon, Michigan, and operated for over 50 years in the business of building, repairing, and painting wagons. In fall 1941, it was acquired for and moved to Greenfield Village.
We’ve just digitized a number of photographs of the building on its original site, including this image showing the distinctive lower and upper double doors still visible today—though notably missing a ramp to allow carriages access to the second floor.
To see all these digitized images of Richart Wagon Shop taken between 1931 and 1941, visit our collections website.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
20th century, 19th century, Michigan, horse drawn transport, Greenfield Village buildings, Greenfield Village, digital collections, by Ellice Engdahl
Fifty years ago today, brothers Bob and Bill Summers of Ontario, California, earned their place in the record books when Goldenrod, their four-engine streamlined über hot rod, averaged 409.277 miles per hour on the Bonneville Salt Flats. It would take 45 years for another non-supercharged, wheel-driven car to best their mark. Not bad for a couple of California dreamers working out of a vegetable stand.
Well, that’s not quite true. Oh, it’s true that their shop was in a converted vegetable stand, but the implication – that they were kids who got lucky – isn’t fair at all. The Summers brothers were Bonneville veterans, having built and raced a series of imaginative cars on the salt since 1954. And, while the brothers themselves were not wealthy, they had well-heeled corporate sponsors supporting Goldenrod. So no, this was no fly-by-night operation.
The early 1960s saw a revolution at Bonneville unlike anything since serious land speed racing started at the western Utah ancient lake bed in the 1930s. Drivers like Craig Breedlove in his celebrated Spirit of America hit 400, 500 and 600 miles per hour using jet power. These cars were more like airplanes without wings. There was no mechanical connection between the engine and the wheels – jet thrust literally pushed the car across the salt. Continue Reading
Utah, racing, race cars, race car drivers, making, Henry Ford Museum, Driven to Win, cars, California, by Matt Anderson, 20th century, 1960s
The 1946 Lamy's diner, as it appears today in Henry Ford Museum. THF77241
Back before diners were considered revered icons of mid-20th-century American culture, Henry Ford Museum's acquisition of a dilapidated 1940s diner raised more than a few eyebrows. Was a diner, from such a recent era, significant enough to be in a museum?
Happily, times have changed. Diners have gained newfound respect and appreciation, as innovative and uniquely American eating establishments. A closer look at Lamy's diner reveals much about the role and significance of diners in 20th-century America. Continue Reading
Massachusetts, 1980s, 1940s, 20th century, restaurants, Henry Ford Museum, food, entrepreneurship, Driving America, diners, by Donna R. Braden
A museum presenting America’s ideas and innovations mourns the passing of George Barris, “The King of Kustomizers.”
George grew up building models of cars and then working on cars during his youth. He had a spark of ingenuity in the way he looked at the world as well as in the world that he built. In the mid 1960s Barris Kustom City acquired a Lincoln Futura prototype that was built for the Ford Motor Company in Turin, Italy in 1955. George had been given a contract in August of 1965 by television show producers to build a batmobile for their upcoming television show. As the legend has been told many times, he had only three weeks to build the “winged mammal” car before filming started. George had the winged-like Futura in his shop and saw the possibilities immediately, and of course the result was the most iconic movie car ever built, the Batmobile. George’s ingenious creation appeared on January 12, 1966 to millions of television viewers experiencing the spoof and kitsch of Batman. Continue Reading
21st century, 20th century, popular culture, making, in memoriam, cars, by Christian W. Øverland
When you hear the phrase “Triple Crown,” the sport of horse racing generally comes to mind. However, the world of motorsport also has its own, unofficial Triple Crown title. To achieve this feat, a driver must win three specific titles during their career. Some enthusiasts contend the three titles are the Indianapolis 500, the 24 Hours of Le Mans, and the Monaco Grand Prix, while others replace the race in Monaco with the Formula One World Championship.
The Triple Crown of Motorsport has been possible since 1929, when the last race, the Monaco Grand Prix, was first run through the streets of the principality. (If you are using the Formula One World Championship title instead, the Triple Crown became possible in 1950.) In the last 86 years, many drivers have won one or two components of the Triple Crown, but only one man, Graham Hill, completed either trifecta. This accomplishment attests to Hill’s immense skill on the track, as each race or title corresponds to a different discipline of the sport. Continue Reading
Le Mans, Indiana, Europe, Indy 500, race car drivers, 20th century, 1970s, 1960s, racing, by Janice Unger
Eva Tanguay was a showstopper—one of vaudeville’s most charismatic stars. Long before performers like Madonna made their mark, Eva Tanguay was wowing ‘em on the vaudeville stage.
The flamboyant singing comedienne was the highest paid performer for over a decade during the heyday of American vaudeville in the early 1900s. Known as the “I Don’t Care Girl” after her most famous song, Eva’s bold, self-confident songs symbolized a new, emancipated American woman. Continue Reading
1910s, 1900s, New York, Massachusetts, Canada, 20th century, 19th century, women's history, popular culture, music, Henry Ford, healthcare, cars, by Jeanine Head Miller
Marketed as ‘the material of a thousand uses’, Bakelite was the first truly synthetic plastic, patented by the American inventor Leo Hendrik Baekland in 1907. Very soon, dozens of household and technical uses were found for it from fountain pens and ashtrays to electrical and communications equipment, including radios and radio equipment. It’s no surprise that conservators working on the IMLS communications grant encounter it so often.
Leo Baekland had already achieved commercial success with the invention of Velox photographic paper, and was able to maintain a home laboratory in New York State. Continue Reading
New York, 20th century, inventors, IMLS grant, conservation, collections care, #Behind The Scenes @ The Henry Ford
The Douglas DC-3 ranks with the Model T Ford and the Volkswagen Beetle as one of the great engineering designs of the twentieth century. The aircraft was safe, reliable, economical, and did more than any other single airplane to make commercial aviation a viable industry.
Ironically, the story of the DC-3 began with a famous airline crash. In 1931, a Fokker tri-motor operated by Transcontinental & Western Air (TWA) went down, killing all seven people on board, including famed University of Notre Dame football coach Knute Rockne. When an investigation of the crash revealed that the wood wing of the Fokker was weakened by rot, airlines began scrambling to replace wood-framed planes with all-metal ones. TWA asked several manufacturers for proposals for a new, all metal airplane, with two or three engines, weighing no more than 14,200 pounds, able to carry at least 12 passengers at 150 miles per hour, with a range of 1,080 miles. Douglas Aircraft, which had previously concentrated on military planes, proposed a twin-engine aircraft that they called the Douglas Commercial Number 1, or simply DC-1. TWA chose the Douglas design, but before it went into production an improved version was developed, called the DC-2. Continue Reading
California, 20th century, 1930s, travel, Heroes of the Sky, Henry Ford Museum, by Bob Casey, airplanes
Yesterday Atlas Obscura shared a post about the Morgantown Personal Rapid Transit (PRT) and it caught Brian Wilson's, our Digital Access & Preservation Archivist, eye. Brian took a look at our archives and found slides from our Sundberg-Ferar Collection. (You might remember this collection from a post Brian wrote about sketches for a manned space station in the 1980s.) Sundberg-Ferar worked on a number of public transit and rapid transit projects, and our collection contains material dating from the 1960s into the 1980s. Among those projects are the BART system in San Francisco, and the Morgantown, West Virginia, transit system which is illustrated by these four images. Different exterior and interior design concepts are shown, along with a scale model of a vehicle between two station platforms. You can see a portion of those concept drawings there in the background of the scale model photo.
This isn’t Brian’s first detective-like hunt through our archives. Last fall he found out why Edsel Ford’s 1934 Detroit Lions season pass was cancelled after a questions was asked about it on Twitter.
Lish Dorset is Social Media Manager at The Henry Ford.
The Henry Ford receives inquiries from around the world and from all types of individuals and organizations about the contents of our collections. Recently, we were approached by Christian Dior Couture about the Dior garments, accessories, and drawings we hold. As we investigated and located these items, we digitized many of them, including this 1950s pillbox hat owned and worn by Elizabeth Parke Firestone. Now anyone can view dozens of Dior-related artifacts on our collections website. And while we’ve digitized all the Dior design drawings that relate to specific garments in our collections, we hold dozens more Dior drawings, which we’ll be digitizing over upcoming months—so be sure to check back for even more high fashion in our digital collections.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Europe, 20th century, hats, fashion, drawings, digital collections, design, by Ellice Engdahl
