Posts Tagged 21st century
Posting with us today is Cheryl Oz of Cheryl Oz Designs, a metro Detroit illustrator and designer. Cheryl is a past Maker Faire Detroit participant and recipient of an Editor's Choice Award. - Lish Dorset
I studied design and advertising at the College for Creative Studies. During an art history class, I was introduced to the work of Charles and Ray Eames and from that point on I never looked at art and design the same way again.
At the time I knew very little about the designers, so what I loved the most was what I saw in their work. I loved the clean lines, color choices and movement in their pieces. Their furniture was so different from the furniture I grew up with in my family's home.
From that point on I feel like my work has been influenced by the Eames aesthetics. It wasn't until years later when I decided to start focusing more on illustration, that I then remembered how inspired I was by the Eames duo and imagined others most likely were, too.
I have always been inspired by everyday things. I loved the notion that when the first Eames chair was in the production process, it was meant to be a mass-produced, affordable chair that anyone could own. I like to think of my artwork in the same manner. I feel that everyone should be able to afford art that they love for their home. Surely, I thought there were other people that felt the same way that I do, and still wanted a bit of Eames in their home, so I started painting a few of my favorite pieces of their furniture.
Besides being a painter, Ray was the woman behind the scenes who gave insightful input to her husband Charles, who appreciated her talents and held her opinions in high regard. Her input was almost unheard of for a woman of her time. She had an incredible sense of color and with Charles, they both led a colorful life in their amazing world of art and design.
Happy 100th birthday, Ray!
20th century, 21st century, 2010s, women's history, furnishings, Eames, design, by Cheryl Oz
It seems like LEGO has been a part of my life since as far back as I can remember. What started as a few simple sets, like this basic building set from the collections of The Henry Ford, from friends and family has turned into hundreds of boxes sprawled over a customized workshop in my own house.
I was always good at entertaining myself as a child and took to LEGO early. The collection was initially stored in a small tub, but eventually graduated to a chest of drawers. I removed my clothes and found a less suitable storage solution for them. LEGO was far more important and this allowed me to hover over the drawers and build my creations on top of my dresser.
My parents somehow put up with this and continued to feed the obsession. Before I out grew my bunk beds, they were an ideal surface to create towns, space campus or medieval battlefields. I have a pretty strong imagination and LEGO helped grow and develop it.
To this day, when asked what I would like for Christmas, I always respond, "LEGO."
LEGO bricks are such a fascinating medium because you can visualize 3-D objects simply and effectively. It works best for creations that are angular with straight edges. It's also a great medium for prototyping simple machines and casting moulds.
So just how important are my LEGO sets? I designed and built a LEGO workshop in the basement of my house. Having a space like this has helped me tackle new projects, like picture mosaics and 3-D logos.
Were you at Maker Faire Detroit? If you were, than you might have seen me as Nick Brickly, host of my Brick Challenge game show. It's a LEGO-based game show similar to Double Dare. We ask questions and challenge contestants to mini-games. Join the fun on stage Saturdays in January 2013 at Henry Ford Museum.
I can't wait to see LEGO Architecture: Towering Ambition when it opens its doors tomorrow. Just like Brick Challenge, the LEGO Architecture series and the work of Adam Reed Tucker are great examples of how LEGO is more than a toy - it's a medium for creation and communication.
Nick Britsky is Royal Oak-based LEGO lover and maker. A participant of Maker Faire Detroit since 2010, you can catch him on stage at Anderson Theater this winter as part of LEGO Architecture: Towering Ambition's Saturday programming.
Michigan, Dearborn, 2010s, 21st century, 20th century, toys and games, making, LEGO, events, childhood, by Nick Britsky
Conservators at the Henry Ford Museum are collaborating with violin experts to prepare Henry Ford’s personal violin collection for an upcoming permanent display in Henry Ford Museum. The violins, which have been in storage for a number of years, are being examined, analyzed and in some instances conserved for long-term display and potential use in concerts.
As a violin enthusiast, Henry Ford purchased some of the finest instruments including violins made by Antonio Stradivari (1644-1737), Bartolomeo Giuseppe Antonio Guarneri (1698-1744) and Carlo Bergonzi (1683-1747).
In 2010 master violin restorer Ashot Vartanian of Shar Music in Ann Arbor, Mich., repaired the Bergonzi to prepare it for exhibition and a concert in Cremona, Italy.
Later this year Henry Ford’s 1703 Stradivarius violin will travel to Cremona to replace the Bergonzi, which will return to The Henry Ford for examination and analysis. Sharon Que of Sharon Que Violin Restoration and Repair is currently working with Chief Conservator Mary Fahey to evaluate the condition of the violin and to make necessary repairs. The retention of original varnish and wood as well as the preservation of the extraordinary sound of the violin is paramount.
Radiologist Dr. John Bonnett of Henry Ford Hospital and luthier Ray Schryer (Schryer Violin) partnered with Henry Ford Museum staff in 2010 to create CT scan (computed tomography) images of the violins in a quest for information concerning their condition and past repairs. Among other findings the scans revealed areas of old insect damage, previously unseen by the naked eye, in addition to delicate repairs on the interior of the museum’s Guarneri Del Gesu violin.
21st century, 2010s, Michigan, Dearborn, Europe, 18th century, 17th century, violins, musical instruments, music, Henry Ford Museum, conservation, collections care, #Behind The Scenes @ The Henry Ford
Sunday is – at long last - the day we head to Hallowe’en in Greenfield Village. I say “at long last” because the countdown to the next Halloween pretty much starts while our kids are inspecting their candy haul from making the neighborhood rounds.
Our littlest goblin can’t wait to see the “gary gelletons.” Those glowing and dancing skeletons in the gazebo near the covered bridge made a quite a lasting impression during last year’s visit. I recorded a bit of their performance on my phone, and hands-down that clip is the most revisited video in my mobile library. Clifford, now three, has watched it countless times. Whenever he sees it, he feigns frightful shivers, and as much as he enjoyed the video, we enjoyed his reaction. (So thanks to The Henry Ford for that little gift that just kept on giving.) Whenever we pass that gazebo during summer visits to the village, he reminds me of those bony, xylophone-playing dancers.
I took my son Henry to the village Saturday to watch the plowing with the 1904 Port Huron Steam Engine and Percheron horses at Firestone. It was chilly, so we decided to head to Eagle Tavern to get warm and have lunch. (I’m always ready for an excuse to stop in for Squash Soup and an order of Bubble and Squeak.) Henry pointed out some of the decorations already in place for Hallowe’en in Greenfield Village.
“These look different in the daytime,” he said looking at the headstones arranged on the Village Green. Then he noted that the coffin looked “too new.” He said he thought it should look more worn. When I explained to him that a fresh pine coffin meant a fresh body, I learned that even in broad daylight a fake cemetery can move a shudder through the shoulders of a 10-year-old boy.
With each year, even as the older kids know some of what to expect, they seem to anticipate it with excitement and a little nervousness.
We have so many fond memories. Our 20-year-old still tells the story of when she was little and was so mesmerized by the huge bonfire that she completely missed the silent Grim Reaper - until he was right in front of her. Her ridiculous reaction was anything but silent, and we still laugh about it.
We also look forward to being inspired by some of the more 900 jack-o-lanterns that light the village since we’ve yet to carve ours.
Our kids are good historians of our visits over the years. They always keenly look for their favorite things, seeing what’s replaced what, what costumes are new, what vignettes are different or have been moved, etc. It seems someone always misses something, since there is so much to see. I look forward to the discussion on the ride home.
I know, my daughter looks slightly petrified in this photo – but have no fear – she can’t wait to see the Headless Horseman again this year. She’s determined she won’t be the slightest bit frightened.
A few weeks back, I had the opportunity sit down with Jim Johnson, senior manager of creative programs at The Henry Ford, and learn about a few changes in which I’m sure my kids and others will delight. I can’t wait to see what he described and see my children’s reactions.
But until then, mum’s the word. Or maybe even Dracula is the word. Who knows? Should be exciting with just the right amount of spooky and not-too-scary fun.
childhood, Michigan, Dearborn, 21st century, 2010s, holidays, Hallowe'en in Greenfield Village, Halloween, Greenfield Village, events
Conservators at The Henry Ford have begun to work on the second group of figurines belonging to Polish Mission in Orchard Lake, Mich.
The figurines, which are part of a Panorama created by architect Zbigniew Baran, have educated and entertained audiences, both young and old, for more than 30 years. It’s the only historical Polish Panorama in North America. The 106 characters of the panorama, which dramatizes the history of Poland, are drawn from the struggles of writers, peasants, saints, statesman, soldiers, and artists to remain faithful to the ideals of Christianity and the Polish nation.
Baran, together with THF Head Conservator Mary Fahey and her staff, are working to clean, conserve and restore missing elements of the figures in addition to developing a plan for their long-term care and preservation.
Missing elements such as the sword and crucifix for the Mieszkol I (the first king of Poland) figurine were fabricated using historical images as references. Check out the images (below) of the figurine before and after conservation.
To see the panorama in action, take a look at this video from WDIV Detroit in 2011. To learn more about the efforts to continue the conservation work of the figures, take a look at this site.
Report by Mary Fahey
20th century, 1980s, 21st century, 2010s, Michigan, conservation, collections care, by Mary Fahey
“Hip, Hip, Huzzah” echoed through the village with the annual World Tournament of Historic Base Ball. It was 1867 all over again as underhand pitches fairly met strikers at the plate, and gloveless fielders caught brown leather-covered balls.
The Saginaw Old Golds took home the trophy by winning the championship matchup, 33-12, over the strong-hitting Columbus Capitals. The annual tournament features Historic Base Ball played by the rules of 1867 as set down in Haney’s Base Ball Book of Reference. That same year, Detroit hosted 24 clubs in the World’s Base Ball Tournament.
Sixteen ball clubs from Michigan, Ohio and Indiana took turns in the field and with the bat in what proved to be an exciting two full days of base ball.
Above photo, left, by Scott Callejah
Since the balls are rubber that is wrapped in yarn and covered with leather, Saturday’s rain added some weight and some challenges. But the rain didn’t dampen the fun, as one player noted, “We were all playing with the same ball.” As much as the tournament is about base ball, it is about fun.
As well as team and player awards – a special award went to a dedicated fan, and the future of Historic Base Ball was recognized with cheers.
Award-winning teams and individuals take home trophies made in Greenfield Village’s Pottery Shop.
Although they didn’t receive trophies, the Welkin and the Bonneyville Millers clubs didn’t go home empty handed. The two teams each were presented a bag of peanuts: The same prize awarded in 1867 for the team with the least number of tournament wins.
By most accounts, this was the largest crowd to gather for the World Tournament of Historic Base Ball championship event. It’s the tournament’s 10th year at Greenfield Village.
It was competitive but gentlemanly play, and it was hard to find a player (or fan) who wasn’t smiling.
21st century, sports, Michigan, Historic Base Ball, Greenfield Village, events, baseball
My name is Danielle and I am currently a museum studies graduate student interested in becoming a museum registrar. I spent this summer at The Henry Ford, working in the department of Historical Resources to digitize the museum’s typewriter collection.
As an intern in the Registrar’s office, I had the opportunity to work with the museum’s extensive typewriter collection, which consists of over 100 typewriters. The typewriters range from a Sholes & Glidden, invented in the 1870s, to a Typatune musical typewriter (above). The collection also includes typewriter accessories, such as stands and cleaning kits, as well as trade catalogs produced by typewriter manufacturers and photographs of typewriters found in offices and workspaces. Continue Reading
21st century, 2010s, communication, research, digitization, conservation, collections care, by Danielle Bowman, #Behind The Scenes @ The Henry Ford
A year and a half after the 2010 Winter Olympics in Vancouver, I found myself in an all-things-Canada souvenir shop in Toronto, which felt more like an Olympics pop-up shop. It didn’t matter that the Winter Games had come and gone – Canada was still very proud of hosting the 2010 Winter Olympics and wanted to make sure you were, too, by still offering hooded sweatshirts, colorful scarves, and those popular maple leaf mittens, all embroidered with the 2010 logo.
Halfway through the 2012 Summer Olympics in London, I’m here in metro Detroit wishing I had access to some of the Union Jack souvenirs attendees can be seen wearing on TV. According to this story in the Guardian, there’s definitely no lack of enthusiasm, and variety, for souvenirs this time around. Whether you’re lucky enough to attend the Olympics in person or are on the hunt for a must-have gift for your family back at home, Olympics souvenirs reflect exciting times in sports history.
Here in The Henry Ford’s collections, this lapel ribbon from the 1960 Winter Games in Squaw Valley was a welcomed souvenir for one lucky attendee as the Olympics returned to the United States for the first time since before World War II. Featuring a jumping ice skater and patriotic ribbons, you can almost picture hundreds of these badges proudly pinned to the coats of spectators as they watched their favorite athletes compete.
Which souvenirs do you think will become the most sought after for the 2012 Summer Games? Rebecca Bizonet, an archivist here at the Benson Ford Research Center, keeps this eraser (below) from the 2004 Summer Games in Athens on her desk as a small, but meaningful, reminder of the Olympics. Do you think any souvenirs from the London games will be in a museum some day?
20th century, 1960s, 2000s, California, Europe, Canada, 21st century, 2010s, sports
CAN-DO Can Do It!: The Henry Ford’s Digitized Collection Hits a Milestone
As regular readers of this blog probably already know, The Henry Ford is in the middle of a big effort to digitize its vast collections of objects, documents, and photographs. Internally, this project is called CAN-DO: Collections Access Network for Digital Objects.
In mid-June, CAN-DO hit a major milestone: over 8,000 objects photographed/scanned, documented and available online!
So we did what any hard-working team would do: we ate cake. And because of the busy meeting schedules we maintain, we had to have our cake party at 9 AM on a Tuesday...but this did not faze us.
As we ate our breakfast cake, we started to reflect a bit on the long road we’ve traveled. If you were checking our collections website last July, you would have been able to browse 516 objects from our collections. In a year, that number has expanded by a factor of more than 16. So what are you able to access now that you couldn’t a year ago?
For starters, all of the approximately 900 artifacts in the Driving America exhibit within Henry Ford Museum, from some of the largest...
...to some of the smallest.
You can also view some of your old favorites from Automobile in American Life, like Tom Thumb’s bicycle:
You can learn about the history of innovation through our extensive collection of patent models, like this one by Thomas Edison…
…or this patent model for a solar lamp — dating from 1871:
If you love annual events such as Hallowe'en in Greenfield Village or Holiday Nights in Greenfield Village, you might be able to recognize some of the historic imagery we draw upon in these vintage greeting cards, like this 1932 Christmas card...
…and this Hallowe’en example from the same era.
Or, you can relive the excitement of the 1908 New York to Paris Race with a series of digitized lantern slides, like this one, covering the entire worldwide route:
But that’s not all you’ll find in our digitized collections — not by a long shot. You can also check out collections relating to automotive designers Bill Mitchell and Virgil Exner, a variety of 19th century cabinet cards and cartes-de-visite, photographs and souvenirs from World’s Fairs from the 1870s through the 1980s, letters from a variety of notable Americans, the buildings of Greenfield Village (plus photographs of many of the buildings on their original sites — do a search on your favorite to see what we have), objects related to female racecar driver Lyn St. James, violins, quilts, advertising trade cards, photographs and memorabilia related to Presidential transport and even some of our toy collection and a few lunchboxes.
And there is still more!
The links and images above provide a few pointers into our digital collections, but the best way to discover them is to search them for yourself. Visit our collections site today and let us know what you find!
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford, and finds something new and fascinating among our 8000+ online collections objects daily.
21st century, 2010s, digitization, digital collections, by Ellice Engdahl, #Behind The Scenes @ The Henry Ford
When I saw the photo of the President of the United States sitting on the Rosa Parks Bus in Henry Ford Museum – like many - I was struck by the profundity of the image. President Barack Obama visited the museum during a private event a month ago. During his visit, White House photographer Pete Souza Tweeted the above image with this caption:
“I just sat in there for a moment and pondered the courage and tenacity that is part of our very recent history but is also part of that long line of folks who sometimes are nameless, oftentimes didn’t make the history books, but who constantly insisted on their dignity, their share of the American dream.” - President Barack Obama, April 18, 2012 (Official White House Photo by Pete Souza)
As the photo of the president was making the rounds in the social sphere (Facebook, Twitter, etc.), many observant commenters noted that they thought Mrs. Parks sat on the other side of the aisle. She did. This diagram from the National Archives shows that her seat was across the aisle from the where the president sat.
The presenters at The Henry Ford knowledgeably point out the actual seat to visitors - who are welcome to sit on the bus. I've watched some eagerly slide right into the spot she sat, while others, like me, don’t feel quite as bold. Mrs. Parks’ personal civil disobedience makes the seat seem a bit like hallowed ground to me. I will say - while sitting on the bus and listening to the recording of Mrs. Parks' tell the events of that day in 1955 - that quiet moment in history really comes alive.
If you’ve ever traveled through With Liberty and Justice for All – the permanent exhibit at the museum that includes the bus – you can’t help but be reminded of the long line of people who stood up (or sat down) for freedom in this country starting from its very founding.
The photo above shows the camp cot and chest used by George Washington when he was commander of the Continental Army during the American Revolutionary War.
Visitors can get up close and see the rocker in which President Abraham Lincoln sat when he was assassinated on April 14, 1865, while watching Our American Cousin at Ford's Theatre in Washington, DC.
Of course there are more non-presidential items in that exhibit, but I found myself prompted to investigate some of the other items that are part of The Henry Ford's collections specifically because of their relationship to past presidents.
There are five presidential limousines in which many presidents sat. There are photographs of presidents sitting such as Abraham Lincoln reading a book to his son Tad, President Warren G. Harding and family sharing a dining table with the Vagabonds* on a 1921 camping trip, and my personal favorite is this one of President and Mrs. Herbert Hoover at the California Pacific International Exposition, San Diego, 1935. (Is he sleeping?) Whatever they are sitting in, I want one.
There are letters to and from some of the 44 men who have held the office - so in writing letters (maybe not reading) I can assume they were seated as well.
All sitting aside, there are also archived collections of presidential bumper stickers and banners, buttons and ribbons marking campaigns, elections and celebrating inaugurations (you can see some of these on The Henry Ford's Online Collections site).
There gifts given by and to presidents or items used by presidents while in office or at home.
Examples include the above Galvanometer used to receive Queen Victoria's message to President James Buchanan over the first transatlantic cable in August 1858, or the newly acquired portable outdoor kitchen once owned by President Dwight D. Eisenhower.
I’m sure some artifacts from President Obama’s time in office will eventually make it into an exhibit somewhere in The Henry Ford (some election and inaugural memorabilia are already part of the collections). But for me - as a fan of The Henry Ford - it was especially poignant to see the county’s current (sitting) president seated in that particular artifact. It's a perfect example of how the institution uniquely gives visitors the opportunity to not only look at some of our nation's treasures from the outside, but to climb right in, take a seat and experience history from the inside.
* Between 1916 and 1924, Henry Ford, Thomas Edison, Harvey Firestone, and John Burroughs, calling themselves the Four Vagabonds, embarked on a series of camping trips.
Kristine Hass is a blogger and long-time member of The Henry Ford.
Michigan, Dearborn, 21st century, 2010s, Rosa Parks bus, presidents, Henry Ford Museum, by Kristine Hass, African American history
