Posts Tagged by ellice engdahl
Now that it’s June, amusement park season is really ramping up. In doing some related research in our archives for an upcoming post, Curator of Public Life Donna Braden turned up several folders of Detroit Publishing Company photos, shot around 1905, showing various views of Coney Island, Brooklyn, New York. We were so taken by these photos that we digitized all 80. You can now browse through photos of Coney Island at night (like the one shown here), the beach at Coney Island, and dozens of others. Visit our digital collections to see these images and other items related to Coney Island.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
In a recent post on our blog for National Space Day, Digital Access & Preservation Archivist Brian Wilson highlighted a few concept drawings created by the Sundberg-Ferar industrial design firm, in conjunction with Lockheed and NASA, in the early 1980s. As Brian notes, these drawings of a manned space station “considered how the astronauts would perform normal earthbound tasks in the tight quarters of the space station, including the need to exercise, bathe and sleep, and how a near-zero gravity environment would affect those tasks.” The drawings shown here, for example, demonstrate how dining might work in space. If your interest is piqued, you can now browse a couple dozen more of these newly-digitized drawings on our collections website.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
by Ellice Engdahl, space, drawings, digital collections, design
Does the building shown in this photograph look familiar to you? It might not ring a bell as the “Blacksmith Shop,” but that was its original purpose when it was built in Greenfield Village in 1929—which explains the horse being shod in this photo from the same year. Henry Ford intended the structure to be typical of 19th-century American blacksmith workshops, and had it furnished with equipment from a shop in Lapeer, Mich. Over the years, the building’s function has changed several times: it has been known as the Tinsmith Shop and the Activities Building, and currently it serves as the entrance to the Donald F. Kosch Village Playground. Visit our digital collections to see over 50 more newly-digitized photos of this building at various times in its history, and perhaps next time you visit our playground, you’ll take a second look at its historic entrance.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
photographs, Greenfield Village history, Greenfield Village buildings, Greenfield Village, digital collections, by Ellice Engdahl
Just Added to Our Digital Collections: Dexter Press Photographs
John Margolies is both a photographer and a collector of items related to American travel and its unique sights. In preparation for our upcoming exhibit about Margolies and the American roadside, we’ve digitized a number of selections from this collection, including 35mm slides taken by John Margolies himself, and pennants and hotel/motel do-not-disturb signs he collected. This week, we add another grouping to that list: Dexter Press photographs dating between 1935 and 1950, designed to be used as postcards. The images, collected by Margolies, capture the same types of establishments he would photograph decades later: gas stations, diners, salons, and stores, such as the Dixie Liquor Store in St. Louis, MO, shown here. Browse more than 30 Dexter Press photos and postcards by visiting our Digital Collections, and be sure to mark your calendar to come see many of our Margolies items in person in the exhibit “Roadside America: Through the Lens of John Margolies” between June 20, 2015 and January 24, 2016.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
20th century, 1950s, 1940s, 1930s, travel, Roadside America, photographs, John Margolies, digital collections, by Ellice Engdahl
It frequently happens that we find mysteries in our collections, just waiting to be unlocked. This is the case for a series of about 200 glass plate negatives, which were found in a Highland Park, Michigan, house and eventually donated to The Henry Ford in 2012. The negatives mostly depict scenes from the Ford Motor Company Highland Park and Rouge plants, and seem to fill a gap in our collection of material created by the Ford Motor Company Photographic Department. However, there are some outliers in the group that could certainly use context, such as the barefoot girl posing for a portrait, or the children sitting in a mule-drawn carriage. If these images or the snowy scene depicted here pique your interest as a history detective, check out all the digitized negatives on our collections website, and let us know what you recognize.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Michigan, Ford Rouge Factory Complex, Ford Motor Company, photographs, digital collections, by Ellice Engdahl
As part of our collaboration with the Detroit Institute of Arts (DIA) and other Detroit-area community organizations to provide additional context for the Diego Rivera and Frida Kahlo in Detroit exhibit at the DIA through July 12, 2015, The Henry Ford has been digitizing parts of our collection that relate to Diego Rivera, Frida Kahlo, and their relationship with the Ford family and Ford Motor Company. We ran across a couple dozen 1932 photographs, including this one, of the Ford Motor Company Mexico City plant, all marked “Kahlo Foto,” and wondered whether these might be the work of Frida Kahlo’s father Guillermo Kahlo. An essay in the exhibit catalog by Diego Rivera’s grandson Juan Rafael Coronel Rivera notes “Don Guillermo was considered the finest architecture photographer in Mexico, a master in the field…. Diego respected Don Guillermo … for his studies of industrial machinery: Don Guillermo recorded the day-to-day modern development of the country; every factory and every major engine installation became the subject matter of his photographs, which were published in the Mexican press as an indisputable symbol of the nation’s advancing progress.” We haven’t yet found any further information about the genesis of these images, but it seems likely, given the labels on the images, Guillermo Kahlo’s architectural photography background, and the year the images were taken (the same year Rivera started work on the Detroit Industry murals at the DIA), that these images have a tie to Frida and Diego’s time in Detroit and relationship with the Fords. Visit our collections website to see all of these images, as well as the other related material we’ve digitized.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Michigan, Detroit, 20th century, 1930s, photographs, Ford Motor Company, digital collections, Diego Rivera and Frida Kahlo in Detroit, Detroit Institute of Arts, by Ellice Engdahl, art
On April 14, 1865, President Abraham Lincoln was shot and mortally wounded by assassin John Wilkes Booth while sitting in a chair at Ford’s Theatre. This week, 150 years later, The Henry Ford is holding events to commemorate the fallen leader. As part of this effort, we’ve digitized a substantial amount of material from our Lincoln-related collections, going beyond the well-known chair and the Logan County Courthouse (where a young Lincoln practiced law). One newly digitized item is this copy negative showing the presidential box at Ford’s Theatre the day after the assassination, but visit our collections website to browse all our curators’ selections. The topically arranged sets cover the Logan County Courthouse, the Lincolns in Springfield, preserving the Union, the Lincolns in the White House, Lincoln’s 1864 reelection, the assassination, the Lincoln rocker, mourning the slain president, remembrances of Lincoln, Lincoln portraits, and Henry Ford’s interest in Lincoln.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
20th century, 19th century, presidents, digital collections, by Ellice Engdahl, Abraham Lincoln
The Henry Ford has an active program through which we loan artifacts from our collection, particularly those that we are not actively displaying, to other museums and institutions. We currently have more than 200 objects out on loan, and we digitize each object before it leaves our campus. This week, we’ve digitized a couple of renderings of the Lincoln Futura, including this one. These drawings will be included in a short exhibition at Lawrence Technological University in Southfield, Mich., along with an already-digitized scale model of the Futura from our collections, beginning in mid-April. If you’re in the metro Detroit area, be sure to check out these artifacts at Lawrence Tech, and if you’re not, keep an eye on our collections website to see what other treasures from Henry’s attic are going on loan.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
events, Michigan, design, Ford Motor Company, 20th century, 1950s, drawings, digital collections, cars, by Ellice Engdahl
Over the last couple of months, we’ve digitized a couple of groupings from the John Margolies Roadside America collection: slides and travel-related pennants, both documenting the strange and interesting sights one would have found along the American roadside in the mid-20th century. This week we’ve added one more category from the same collection: do-not-disturb signs from hotels and motels, collected by John Margolies and mostly dating between 1920 and 1970. The example shown here, likely from the late 1930s or 1940s, advises hotel staff to “go ‘way and let me sleep.” Selections from this collection will be featured in the upcoming Margolies exhibit in the Henry Ford Museum a bit later this year. In the meantime, visit our collections website to browse additional “do not disturb” signs.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
20th century, travel, John Margolies, hotels, digital collections, by Ellice Engdahl
We are more or less three-quarters of the way through the two-year timeframe on our “Museums for America” grant from the Institute of Museum and Library Services to conserve, catalog, photograph, and rehouse some of our communications collections. We’re pleased to report that as of now, we are on track with digitization of these objects, with 743 of 1,000 grant-related artifacts from our collections available online, and for many of these, we’ve been able to track down their specific origin. The insulator shown here, for example, was originally used on telegraph lines running along the Oregon Trail. Visit our collections website to see more of the insulators we’ve uncovered in our collection through this project. You can also learn more about the grant and see some of the behind-the-scenes work it entails on our blog, or peruse some of Curator of Communication and Information Technology Kristen Gallerneaux’s favorites here.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
telegraphy, communication, IMLS grant, digital collections, by Ellice Engdahl
