At the 50th anniversary of President Kennedy’s death last year, The Henry Ford honored his legacy with the help of news legend Dan Rather, best-selling author James L. Swanson, former Secret Service agent Clint Hill, and two sold-out crowds determined to remember 1,000 brilliant days, 20,000 days on.

On November 18, Rather sat with Swanson mere feet from the Kennedy Presidential Limousine, housed at The Henry Ford since 1978. One of the first to break news of President Kennedy’s death, Rather noted how three years before, Senator Kennedy won over those who saw him as too young, too rich and too Catholic with articulate idealism, self-deprecating wit, and an unprecedented understanding of politics-as-theatre.

But JFK had an additional asset – his wife. Young and chic, with a shrewd intellect and a romantic understanding of America’s past, Jacqueline Kennedy was an immensely popular first lady. The front and back covers of Swanson’s new book on JFK’s assassination shows Mrs. Kennedy wearing the shocking pink and stark black in which pop artist Andy Warhol would immortalize her image.

It was Swanson who noted the irony of Jacqueline Kennedy’s pervasive aesthetic influence, citing an essay the future style icon wrote as a college senior, in which she expressed an interest in being an “overall Art Director of the Twentieth Century”.

On November 19, it was Mrs. Kennedy’s Secret Service agent, Clint Hill, who left the museum in silence. Also standing feet from the presidential limo, Hill recalled for journalist Lisa McCubbin the friendly crowds that met President and Mrs. Kennedy in San Antonio and Houston on their first day in Texas, the unexpectedly warm welcome shown them in Dallas, and his lingering guilt over not getting to the president in time to save his life.

But Hill took no credit for potentially saving the first lady’s life, in her last moments as first lady. Hill saw Mrs. Kennedy crawl onto the trunk of the Lincoln, reaching for a piece of her husband’s skull, just before the car’s hand-built, 350-horsepower, 430 cubic inch V8 deployed it with full force toward Parkland Hospital. It’s Hill seen in the now sadly familiar images, racing forward, jumping aboard, and shielding Mrs. Kennedy from the unknown with his own body.

Touchingly, Hill also revealed many of the small, human moments Swanson alluded to the prior evening – details sadly overshadowed by decades of myth and conjecture: of a father promising a child he’d be home in just a few days; of a husband taking his wife’s hand in a jostling crowd; of a wife clinging protectively to a husband she already knew belonged to history.

By inviting Rather, Swanson and Hill to share these stories and these moments, The Henry Ford did what museums do best – ensure that nothing is lost to time as one generation fades into the next. For those whose lives were changed forever a half-century ago, it was a lovely remembrance. For President Kennedy, whose life was shaped by the heroes and glories of the past, there could be no more fitting tribute.

Justin Mularski is a writer based in Detroit. He occasionally forsakes his laptop to read of times long past, cheer for the Tigers, or make lists of home improvement projects he’ll never actually complete.

Additional Readings:

• 1972 Lincoln Continental Presidential Limousine Used by Ronald Reagan
  
• President Franklin D. Roosevelt’s “Sunshine Special”
  
• The Henry Ford at Pebble Beach Concours d'Elegance
  
• Turning Point

by Justin Mularski, presidents, presidential vehicles, limousines, JFK

As every visitor discovers, The Henry Ford is about more than cars and trucks. But if its other exhibits are its heart, The Henry Ford’s world-class automobile collection might be its soul. For the first time, that collection is captured in one major book – Driving America: The Henry Ford Automotive Collection.

Showcasing 100 historically-significant vehicles spanning a century-plus, Driving America puts a spotlight on the collection’s perhaps unexpected diversity. While it reflects Henry Ford’s fascination with American progress, the collection combines vehicles from nearly every major (and a few not-so-major) automaker, both foreign and domestic.

Indeed, one of the collection’s most famous vehicles, the 1931 Type 41 Bugatti Royale, was born in Europe. In an essay, Bob Casey, The Henry Ford’s former Senior Curator of Transportation, explains that after its original owner fled Hitler’s Germany, the Royale was abandoned in a New York junk yard.

Eventually rescued by Buick’s Charles Chayne, the Royale was donated to The Henry Ford in 1957, where it still delights a half-century on.

Driving America is filled with such trivia, providing a greater close-up than is possible on a museum floor. Across nearly 300 pages, vivid illustrations capture details such as the 1957 De Soto Fireflite’s pushbutton transmission, and the 1980 Comuta-Car’s label-maker dashboard. Technical specifications for each vehicle are also included.

But like the collection itself, Driving America tells as much a story of those who’ve designed, built and driven across two American centuries as of the vehicles themselves. Innovation and ingenuity reflect in Oldsmobile’s 1903 Curved Dash Roundabout, and the 1997 General Motors EV1; family and adventure in the 1984 Plymouth Voyager minivan and the 1959 Volkswagen Westfalia camper; triumph and tragedy in the 1987 Ford Thunderbird Stock Car, and in President Kennedy’s 1961 Lincoln Continental limousine.

In this regard, Driving America, like the collection it beautifully, thoroughly documents, honors not only The Henry Ford’s focus on the everyday extraordinary, but the automobile’s defining role in life as it’s known, or might someday be.

Driving America, featuring a forward by Jay Leno and an introduction by Edsel Ford II, is available at The Henry Ford’s on-site gift shops and online shop. Special collector’s editions are also available.

Justin Mularski is a writer based in Detroit. He occasionally forsakes his laptop to read of times long past, cheer for the Tigers, or make lists of home improvement projects he’ll never actually complete.

21st century, 2010s, shopping, Henry Ford Museum, Driving America, cars, by Justin Mularski, books