Posts Tagged by matt anderson
If it’s summer, it’s car show season. And if it’s Father’s Day weekend, then it’s time for Motor Muster at The Henry Ford. Some 850 cars, bikes, commercial and military vehicles gathered in Greenfield Village for our annual celebration of automobiles built from 1933 to 1977. This year, we paid special attention to muscle cars, those massive-engine, intermediate and full-sized cars that reigned for about ten years before rising insurance premiums and gas prices – to say nothing of tighter emissions regulations – put them out to pasture. Formally, the muscle car’s beginning is traced to Pontiac’s GTO performance package, first offered for the 1964 model year. But 2014 was the year of the Mustang at Motor Muster (and besides, our own GTO is a 1965 model) so 2015 seemed like a perfect opportunity to salute Detroit’s horsepower heavies. Continue Reading
Michigan, Dearborn, 21st century, 2010s, Motor Muster, Greenfield Village, events, cars, car shows, by Matt Anderson
We’ve already made much about the 50th anniversary of Jim Clark’s win, with his rear-engine Lotus-Ford, at the 1965 Indianapolis 500-Mile Race. But it is a big deal. History generally unfolds in a gradual process, but Clark’s victory was a singular turning point for the race. We were delighted that the folks at Indianapolis Motor Speedway agreed and, with generous assistance from the speedway's Hall of Fame Museum, invited us to take the car down for this year’s event.
We kicked off race weekend on Thursday with a great panel discussion open to the media. I was honored to sit with fellow panelists Clive Chapman, proprietor of Great Britain’s Classic Team Lotus and son of Colin Chapman – designer of our car; Leonard Wood, co-owner of Wood Brothers Racing – the oldest active team in NASCAR – and a member of Jim Clark’s 1965 pit crew; and Dario Franchitti, a three-time Indy 500 winner and four-time IndyCar Series Champion – and a certified Clark-ophile. Continue Reading
Henry Ford Museum, Driven to Win, race car drivers, race cars, racing, Indy 500, cars, by Matt Anderson
Jim Clark changed the face of the Indianapolis 500 in 1965 when he won with a rear-engine car adapted from Formula One design. His lightweight Lotus-Ford race car broke dramatically from the heavy front-engine roadsters that dominated the race after World War II. Clark's victory capped a three-year effort by some of the biggest names in racing. Driver Dan Gurney realized the potential of F1 technology at Indy and set the project in motion. Designer Colin Chapman put his expertise and reputation behind the chassis. Ford Motor Company provided resources, support, and a superb racing engine. And Jimmy Clark endured two years of disappointment - losing through no fault of his own - before taking the checkered flag in 1965. So complete was their triumph that no front-engine car has won the Indianapolis 500 since.
The Henry Ford's Archive of American Innovation is proud to preserve significant artifacts, images, texts and interviews related to Clark's groundbreaking win. Below are links to key pieces in this collection. Continue Reading
Indy 500, race car drivers, race cars, by Matt Anderson, Henry Ford Museum, Driven to Win, racing
From its first running in 1911, the Indianapolis 500 has been the most prestigious automobile race in the United States. But in the early 1960s, it was falling behind the technological times. Lithe, rear-engine cars lit up Formula One circuits everywhere, while Indy remained tied to heavy front-engine roadsters not fundamentally changed in a decade. It would take an English designer and a Scottish driver, with some help from an all-American racer and a Big Three automaker, to break the mold 50 years ago this month. Continue Reading
race cars, race car drivers, Henry Ford Museum, Driven to Win, racing, Indy 500, Ford Motor Company, cars, by Matt Anderson
Ultra-Mileage in the Motor City: The 2015 Shell Eco-marathon Americas
Earlier this month, we at The Henry Ford were excited to participate in the Shell Eco-marathon Americas, held in Detroit’s Cobo Center from April 9-12. More than 1,000 high school and college students, representing the United States, Canada, Brazil and Guatemala, competed to determine which of their 113 teams produced the car capable of the best fuel mileage.
Shell, the global energy company, sponsored fuel-mileage competitions as early as 1939, but more recently the Eco-marathon has evolved into three events held annually in Europe, Asia and the Americas. This year marks the first time that the Americas competition took place in the Motor City. Teams may enter cars in one of two classes. Prototype cars strive for maximum fuel efficiency with exotic materials and designs. Urban Concept cars resemble street vehicles complete with lights, signals and working horns. Teams using internal combustion engines may power their vehicles with gasoline, diesel, natural gas or ethanol. Those using electricity can choose between lithium-based batteries or hydrogen fuel cells. Whatever the fuel, the goal is the same: squeeze as much distance out of it as possible. Continue Reading
21st century, 2010s, Michigan, making, events, environmentalism, education, Detroit, childhood, cars, by Matt Anderson
It was time once again for four days of education and fellowship as the National Association of Automobile Museums (NAAM) convened for its annual conference from March 17-20. Our host this year was the wonderful National Packard Museum in Warren, Ohio, some 50 miles southeast of Cleveland. Approximately 65 volunteers, administrators, curators and board members, representing institutions from Maine to California, gathered to discuss the state of the automobile museum world.
Session topics covered most aspects of museum management. There were presentations on grant research and writing, exhibit planning, marketing and merchandising, and non-profit tax codes. Few talks could match the session on disaster planning for pure drama, though. Wendell Strode, Executive Director of the National Corvette Museum in Bowling Green, Kentucky, updated us on his institution's infamous sinkhole disaster of February 2014. Though five vintage Corvettes were damaged beyond repair, the museum was featured in more than 2,000 media outlets around the world, and visitation jumped astronomically due to the coverage. I continue to be impressed by the speed and style with which Wendell and his staff responded to the crisis. Continue Reading
Regenerative gas turbine engine, 130 horsepower.
Chrysler experimented with turbine engines for some 25 years. The Turbine could run on almost anything – gasoline, diesel, kerosene, even peanut oil (with exhaust that smelled like baking cookies)! While the fuel flexibility was terrific, the fuel economy was less than stellar. Chrysler ended the Turbine program in 1979. Note the huge air filter housing in front of the engine. The Turbine gulped about four times more air than a piston engine.
Matt Anderson is Curator of Transportation at The Henry Ford.
1960s, 20th century, Henry Ford Museum, Engines Exposed, engines, Driving America, cars, by Matt Anderson
Chances are that, when you hear the phrase “steam locomotive,” you picture an engine like the 4-4-0 “Sam Hill.” No technology symbolized 19th century America’s industrial and geographical growth better than the railroad, and no locomotive was more common than the 4-4-0.
In the 70 years from 1830 to 1900, rail lines grew from separate local routes connecting port cities with the interior to a dense and interconnected network that linked cities and towns across the continent. Likewise, locomotives grew from diminutive four-wheelers capable of five miles per hour to eight and ten-wheeled engines able to reach 100 miles per hour. But the 4-4-0 offered a special blend of performance and ability that made it particularly popular on American rails.
The 4-4-0 takes its name from the arrangement of its wheels. The four small leading wheels, located in front under the cylinders, help guide the locomotive through curves. The four large driving wheels, connected by rods to the cylinders, move the engine along the track. There are no (or zero) trailing wheels on a 4-4-0, but on larger locomotives trailing wheels help support the weight of the firebox. Continue Reading
20th century, Georgia, Michigan, 1850s, 19th century, railroads, Henry Ford Museum, by Matt Anderson
The snow is melting and the weather is warming (after a particularly frigid February), but the surest sign of spring in the Motor City is the arrival of the Detroit Autorama, the annual gathering of the best in hot rods and custom cars. From March 6-8, more than a thousand vehicles filled Cobo Center. It was exciting, inspiring, and maybe even a little overwhelming.
Greeting visitors at the exhibit hall’s main door were the “Great 8” – the eight finalists for the show’s big Ridler Award. The Ridler honors the best first-time Autorama entry, and the judges’ task is never easy. This year, their choices included everything from a 1937 Ford woody wagon to a 1965 Dodge Dart. Their winner was “The Imposter,” a fantastic 1965 Chevrolet Impala designed by the legendary Chip Foose and owned by Don Voth of Abbotsford, British Columbia. Why the name? This Impala was an imposter – the ’65 body sat atop a 2008 Corvette chassis. Continue Reading
21st century, 2010s, Michigan, Detroit, cars, car shows, by Matt Anderson, Autorama
Late last year, I was invited to present to students at Wayne State University in Detroit. Their seminar, “Women Who Motor,” examined the many connections between American women and the automobile industry, whether as the producers who design and build cars, or as the consumers who buy and drive them. The class also studied depictions of women and their autos in popular culture, from literature, to film, to music. That’s where I came in – with a look at the relationship between women and automobiles in popular song.
It’s no great revelation that the automobile is fertile inspiration for pop music. The car is a rolling metaphor for social status, wealth, style and any of a hundred other things. Sing about someone in a Cadillac, and you paint a picture of an affluent sophisticate; sing about someone in a Chevrolet, and you describe someone more down-to-earth or – if that Chevy is old and tired – someone down on her luck. In other words, the car is a spectacular lyrical shortcut. (And I’ve said nothing about the car as a metaphor for romantic activities… but I will.) In sharing some examples with the students, I broke female-focused car songs into three general groups: 1.) those about using the car to attract a mate, 2.) those about the car as a setting for romance, and 3.) those about women behind the wheel. Continue Reading
popular culture, by Matt Anderson, women's history, music, cars
