We’re back from another great Car Week on California’s Monterey Peninsula. For those who don’t know, Monterey Car Week is arguably the world’s premier event for historic automobiles. Car owners and enthusiasts come in from around the globe for six days of driving tours, auto art shows, car auctions and races, all culminating with the incomparable Pebble Beach Concours d’Elegance on the shore of Carmel Bay. This year being the 50th anniversary of the Ford Mustang, The Henry Ford’s one-of-a-kind 1962 Mustang I concept car was invited to participate in three of Monterey Car Week’s signature events. Continue Reading

California, 2010s, 21st century, racing, cars, car shows, by Matt Anderson

Spring means many things to many people: an end to cabin fever, swapping the snow blower for the lawn mower, or getting the car out of winter storage and ready for the summer cruising season. For car museum folks, though, spring means the annual conference of the National Association of Automobile Museums. This year’s meeting, hosted by the Petersen Automotive Museum in Los Angeles, California, was particularly special. For the first time in many years, it was a joint conference with the World Forum for Motor Museums.

NAAM conferences traditionally provide three important opportunities. First, there is the chance to network with auto museum colleagues from around the country (or, this year, the globe). You find that many of us share the same joys – the thrill of sharing our collections with the public, the fun in working with incredible automobiles – and the same challenges, like the long-term preservation of complex machines, or writing informative but engaging label text with a limit of 60-odd words.

Second, and central to the NAAM conference, is the chance to hear presentations from curators, archivists, conservators and administrators from the car museum world. Standout sessions this year included a talk on the peculiarities of corporate car collections and museums; strategies for dealing with the media (this session included comments from Wendell Strode of the National Corvette Museum, who worked masterfully with the press during that museum’s recent sinkhole crisis); and ideas on incorporating “visible storage” into your museum’s plan, in which visitors are able to view cars “behind the scenes” as a part of special tours. I should note that Robert Coyle, our Conservation Specialist for Automobiles, Gary Martin, of Dan Gurney’s All American Racers, and I spoke together about our project to conserve the 1967 Le Mans-winning Ford Mark IV.

Finally, NAAM brings the chance for special tours of public and private collections near the host institution. This year’s itinerary did not disappoint. Attendees were treated to tours of the Mullin Automotive Museum, the Toyota USA Automobile Museum, the Nethercutt Collection, and the Pasadena-based Art Center College of Design. It should be no surprise that Southern California, nexus of American car culture, is home to so many incredible automobile and auto-related collections.

There is one additional NAAM highlight: the annual NAAMY awards! These prizes, given at each conference, honor the best in publications, exhibits, programs and events at nonprofit automotive museums. I’m pleased to report that our new book, Driving America: The Henry Ford Automotive Collection, took first place in our division for books and exhibit catalogs. Accolades are always special, but particularly so when they come from your colleagues in the field. With the 2014 meeting barely over, I’m already looking forward to next year’s conference.

Matt Anderson is Curator of Transportation at The Henry Ford

21st century, 2010s, California, cars, by Matt Anderson, #Behind The Scenes @ The Henry Ford

Can a car built in a vegetable stand be a national treasure? It can if it is packed with ingenious engineering ideas, set a world speed record, and embodies important national characteristics.

The long, low, slim car called Goldenrod is all these things, and is a national treasure.

Goldenrod was built by a pair of California hot rodders, brothers Bill and Bob Summers. For years they participated in the annual Speed Weeks competition at Utah’s vast Bonneville Salt Flats, where they went as fast as 323 miles per hour in a car they built themselves. In 1963 they decided to go after the absolute land speed record of 394.196 mph, set by John Cobb in 1947. Cobb was one of a succession of wealthy Englishmen who had held the record over the years, driving well-financed cars powered by huge airplane engines.

Before Bob and Bill could get started, another Englishman, Donald Campbell, broke Cobb’s record with a speed of 403.10 mph. In 1964 and 1965 other American hot rodders used cars powered by jet aircraft engines to push the record to over 600 mph. But many people, like the Summers brothers, thought using jet engines wasn’t quite fair—they believed that real cars were driven by friction between tires and the ground. So no jet engines for Bob and Bill.

The Summers brothers believed that the key to a successful car was minimizing the resistance of air flowing over the moving car--and that the best way to do this was to make the car as small as possible. To put it simply: it is easier to punch a small hole through the air than a large hole. After testing models in a California Institute of Technology wind tunnel, they designed a car lower and narrower than any land speed record contender in history—48 inches wide, 42 inches high at the top of the tail fin, and only 28 inches high at the engine covers. Into this slim space they packed a quartet of 426 cubic inch Chrysler “hemi” V8 engines and the machinery necessary to power all four wheels. At the extreme rear sat the driver, Bob Summers. It was an amazing feat of engineering, and was so logical and successful that it set the paradigm for future Bonneville streamliner racers. Over 40 years later, long and slim is still the way these cars are built.

Financing Goldenrod was as big a challenge as actually building it. As land speed record cars go, Goldenrod was an economy car. Its $250,000 cost was well below the $3,000,000 Donald Campbell needed to build the car whose record Goldenrod broke. But $250,000 was far more than the Summers brothers had. So they beat the bushes searching for companies who would help pay the costs in exchange for having their corporate name on the car. The turning point came when George Hurst, maker of specialty gear shifting mechanisms and forged wheels, agreed to be a sponsor. Firestone Tire & Rubber then signed on to make the special low profile tires and wheels needed to fit inside the narrow envelope of the body. Chrysler Corporation agreed to loan the brothers four “hemi” engines, while Mobil Oil provided fuel and funding.

Construction on Goldenrod began in January 1965 in a shop that had once been a vegetable stand. By August the machine was done, and in September the brothers were at Bonneville working out the bugs that were inevitable in a car this innovative and complex. After two months of testing and modification all was ready. On November 12, Bob Summers blasted down the Bonneville salt with a run of 417 mph. International rules required two runs, in opposite directions, within one hour. After the car was thoroughly inspected, he set off on his return run with only five minutes to spare. His second run was good enough for a two-way average of 409.277 mph.

The brothers had their record. It would stand for over 25 years.

Utah, racing, race cars, race car drivers, making, Henry Ford Museum, Driven to Win, cars, California, 20th century, 1960s

Motion Picture Magazine, originally published in 1911, was the first movie fan magazine. This issue for September 1918 featured movie star Lillian Gish. / THF113869

From the beginning of the movie business, Americans wanted to know about the movies and their stars. As thousands of letters flooded movie studios, public relations departments tried to accommodate fans’ interest. By 1910, the demand for information was out of control. In February 1911, J. Stuart Blackton, head of Vitagraph Studios, helped to organize Motion Picture Story Magazine, soon shortened to Motion Picture Magazine — the first movie fan magazine.

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California, 20th century, popular culture, movies, by Terry Hoover, archives

The Dave Friedman Collection at The Henry Ford comprises hundreds of thousands of photographs, slides, negatives, documents, programs, and published material covering 60 years of automobile racing. We’ve just added to our digital collections nearly 900 photos from the 1962 Pacific Grand Prix, including a number, like this one, featuring our own 1962 Mustang I Roadster. You can also view more than 3,000 total Dave Friedman collection images on our collections website, or find more Friedman material on The Henry Ford’s Flickr page.


Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

California, 20th century, 1960s, racing, photographs, digital collections, by Ellice Engdahl

It’s always a thrill when we get to meet descendants of people connected with our Greenfield Village buildings. A few weeks ago, we hosted five descendants of Dr. Howard, whose Tekonsha, Mich., office is located out in the Village next to the Logan County Court House.

These five knowledgeable and enthusiastic members of the family came from North Dakota, California, and as far away as Australia! The group drove here together from North Dakota, visiting other family sites along the way—including, of course, the original site of Dr. Howard’s office in Tekonsha (near Marshall).

Dr. Howard’s office was brought to Greenfield Village to represent the office of a country doctor. It is particularly unique because virtually everything in the building is original and dates to the time of his practice.

Interior shots of Dr. Howard’s office in 1956, just before the building was moved to Greenfield Village.

Dr. Alonson Bingley Howard (1823-1883) was known to have a keen mind, an earthy sense of humor, and a colorful personality.

From the time he started his practice in the early 1850s until his death in 1883, Dr. Howard used a combination of methods to cure sick patients. These included herbal remedies that he concocted himself and more conventional medicines he had learned about while attending Cleveland Medical College and the University of Michigan for a few years. When he wasn’t in his office in Tekonsha, he was “out tending to patients” in the local area.

When Dr. Howard’s descendants came here a few weeks ago, they were hoping to unearth clues to this long-ago history that would build upon their previous research into family stories and genealogy. They spent a lot of time out in the building, talking to staff and visitors and taking loads of pictures. Then they combed through our archival collections that contained materials about their family and about the office.

We were delighted that they were also willing to let us interview them so they could tell us more about their family history—filling in gaps in our own knowledge, revealing new insights, and truly putting new life back into the Dr. Howard story.

Thanks, Corey, Dawn, Sue, Angela, and Fiona, for reminding us that people all over the world continue to have deep personal connections to our buildings in Greenfield Village. It was a pleasure meeting you and we hope you come back to visit again soon.

Donna Braden is Senior Curator and Curator of Public Life at The Henry Ford.

California, 19th century, 21st century, 2010s, research, Michigan, healthcare, Greenfield Village buildings, Greenfield Village, Dr. Howard's Office, by Donna R. Braden

A year and a half after the 2010 Winter Olympics in Vancouver, I found myself in an all-things-Canada souvenir shop in Toronto, which felt more like an Olympics pop-up shop. It didn’t matter that the Winter Games had come and gone – Canada was still very proud of hosting the 2010 Winter Olympics and wanted to make sure you were, too, by still offering hooded sweatshirts, colorful scarves, and those popular maple leaf mittens, all embroidered with the 2010 logo.

Halfway through the 2012 Summer Olympics in London, I’m here in metro Detroit wishing I had access to some of the Union Jack souvenirs attendees can be seen wearing on TV. According to this story in the Guardian, there’s definitely no lack of enthusiasm, and variety, for souvenirs this time around. Whether you’re lucky enough to attend the Olympics in person or are on the hunt for a must-have gift for your family back at home, Olympics souvenirs reflect exciting times in sports history.

Here in The Henry Ford’s collections, this lapel ribbon from the 1960 Winter Games in Squaw Valley was a welcomed souvenir for one lucky attendee as the Olympics returned to the United States for the first time since before World War II. Featuring a jumping ice skater and patriotic ribbons, you can almost picture hundreds of these badges proudly pinned to the coats of spectators as they watched their favorite athletes compete.

Which souvenirs do you think will become the most sought after for the 2012 Summer Games? Rebecca Bizonet, an archivist here at the Benson Ford Research Center, keeps this eraser (below) from the 2004 Summer Games in Athens on her desk as a small, but meaningful, reminder of the Olympics. Do you think any souvenirs from the London games will be in a museum some day?

20th century, 1960s, 2000s, California, Europe, Canada, 21st century, 2010s, sports

1951 Beatty Belly Tank Lakester Land Speed Race Car / THF90122

What do you get when you mix a war surplus fuel tank, an Oldsmobile engine, and a boatload of ingenuity? You get The Henry Ford’s latest automotive acquisition, the Lakester.

During World War II aircraft designers looking for ways to extend the range of fighter planes came up with the idea of hanging expendable auxiliary fuel tanks under the wings or fuselages of aircraft. These teardrop-shaped tanks could be jettisoned when they were empty. When Bill Burke, a California hot rodder serving in the Navy, saw some of these tanks on Guadalcanal, he thought they would make nifty bodies for streamlined racing cars. After the war, Burke put his idea into action.

Surplus drop tanks (also called wing tanks or belly tanks) were available for as little as $35. Burke squeezed an engine, driver’s seat, and running gear inside the tank, leaving the wheels and axles exposed. Burke raced the slick little car at El Mirage, a large, flat dry lake bed north of Los Angeles where hot rodders ran their vehicles in straight-away top speed runs against the clock. Other hot rodders soon copied Burke’s idea and over time the new cars came to be called “lakesters” because they were built to run at the dry lakes.


Cockpit of the 1951 Beatty Belly Tank Lakester / THF90112

I have long wanted to add a lakester to The Henry Ford’s collection of race cars, because lakesters embody ingenuity and resourcefulness, and because they are peculiarly American. For years I have had my eye on one of the most successful and famous lakesters, a car built and driven by another California hot rodder, Tom Beatty. In 2009 the car came up for auction and we were finally able to acquire it.

Techno Talk Warning: The following paragraph is a technical description of Tom Beatty’s car for the benefit of “car geeks” (like the writer). If you are bored by discussions of chrome-moly tubing and swing axles, skip to the last paragraph.

Part of the attraction of Tom Beatty’s car is its sheer technical virtuosity. It looks like lots of other belly tank lakesters, but underneath the aluminum teardrop it is very different. Most lakester builders used a simple parallel rail frame, but Beatty welded up a complex space frame from chrome-moly steel tubing. It was stiffer and safer in an accident. Most lakesters ran without a rear suspension, but Beatty devised a swing axle independent rear suspension that helped the car maintain traction over the sometimes rough dry lake surface, or at the Bonneville Salt Flats.

Engine and Drivetrain on the 1951 Beatty Belly Tank Lakester / THF90115

Beatty was also one of the first hot rodders to experiment with supercharging, adapting GMC blowers to his flathead Ford engines. The car first ran at the 1951 Bonneville Speed Week, turning a top speed of 188.284 mph. Over the years Beatty kept improving the car, moving to supercharged Oldsmobile engines in 1959. By the time Beatty retired from racing after 1965 season, the lakester had gone 243.438 mph, and was the oldest car running at Bonneville.

As it sits on the floor of Henry Ford Museum, Tom Beatty’s car looks a little rough. The paint is chipped and the body is dinged. But it looks today much as it did the last time it ran in anger at Bonneville, and we will not restore it. We will do only what is necessary to preserve it. After all, you don’t mess with an American original.


Bob Casey is former Curator of Transportation at The Henry Ford. This post was last updated in March 2021.

Utah, California, 20th century, 1950s, racing, race cars, race car drivers, making, Henry Ford Museum, Driven to Win, cars, by Bob Casey