Posts Tagged digital collections
Some followers of The Henry Ford’s blog may remember that back in January we told you about our 2012 project to digitize the most “significant” artifacts in our collections. We have been working furiously on getting these artifacts identified and digitized, and while we’re not finished yet, we’ve gotten a lot done, and wanted to share some interesting tidbits about our work thus far.
The basic assignment we set ourselves was to divide the collection into categories, and ask our curators to select the 25 most significant items at The Henry Ford in each of the categories. Though there are many ways one can group items in our collections, for the purposes of this exercise, we chose these groupings:
The curators established lists for each grouping, which was no easy task. Criteria of national significance, uniqueness to our institution, and resonance to museum visitors helped guide selections, but there was still a laborious and sometimes painful process of culling to get down to 25 (or 26 or 27 — a few extras snuck through!) objects in each category.
We also considered the issue of overlap. In the end, less than 10 objects ended up on lists in multiple categories, and where they did, the rationale was very clear. These include the limousine in which John F. Kennedy was shot (which relates to both Transportation and American Democracy and Civil Rights), the Fordson tractor Henry Ford gave to Luther Burbank (which relates to both Henry Ford and Agriculture and the Environment), and a Westinghouse steam engine, pictured below (which relates to both Henry Ford and America’s Industrial Revolution). Most of the overlaps involve Henry Ford, which is not surprising when you consider the origins of this institution.
Another really interesting thing about the lists is that though these are some of our most significant artifacts, not all of the items are currently on public display. The majority of the objects the curators selected are indeed located in the Henry Ford Museum: from George Washington Carver’s microscope, located in our Agriculture exhibit; to the Noyes piano box buggy located in Driving America; to the Jazz Bowl, located in Your Place in Time. A few objects are located in Greenfield Village, including the Edison electric pen, which you can view in Menlo Park Laboratory; and Firestone Barn, which is a building, a working barn, and a significant artifact, all rolled into one!
A number of objects selected live in our archival collections, which may be viewed via a visit to the Benson Ford Research Center. These include two-dimensional objects such as a photograph of the first Highland Park Ford assembly line and Ford Motor Company’s first checkbook.
Other objects are just too fragile to be on permanent display or don’t have a spot in our current exhibits, so The Henry Ford’s collections site is the only place you’ll be able to view them. These include an embroidery sampler from 1799, a gold bugle, and a Moog synthesizer.
One object that made the list, the kinetoscope that Thomas Edison invented to play moving images, is not even in Dearborn at the moment—it is on display at the Epcot theme park at Walt Disney World in Florida. If you have upcoming travel plans that include Epcot, stop by the American Heritage Gallery and say hi to one of our most significant objects!
So what’s next for this project? Well, we still have about 20 percent of these significant objects left to digitize and make available online, and there are a number for which curators are still writing brief descriptions. Once all the objects are online and well-described, we’ll create sets for each category, so you can browse these gems from our collection by the topic they relate to. Watch for a future blog post when this is complete!
Ellice Engdahl, Digital Collections & Content Manager at The Henry Ford, would definitely include on her personal list of significant collections objects everything from the Rosa Parks bus to the Monkey Bar.
#Behind The Scenes @ The Henry Ford, by Ellice Engdahl, digitization, digital collections
CAN-DO Can Do It!: The Henry Ford’s Digitized Collection Hits a Milestone
As regular readers of this blog probably already know, The Henry Ford is in the middle of a big effort to digitize its vast collections of objects, documents, and photographs. Internally, this project is called CAN-DO: Collections Access Network for Digital Objects.
In mid-June, CAN-DO hit a major milestone: over 8,000 objects photographed/scanned, documented and available online!
So we did what any hard-working team would do: we ate cake. And because of the busy meeting schedules we maintain, we had to have our cake party at 9 AM on a Tuesday...but this did not faze us.
As we ate our breakfast cake, we started to reflect a bit on the long road we’ve traveled. If you were checking our collections website last July, you would have been able to browse 516 objects from our collections. In a year, that number has expanded by a factor of more than 16. So what are you able to access now that you couldn’t a year ago?
For starters, all of the approximately 900 artifacts in the Driving America exhibit within Henry Ford Museum, from some of the largest...
...to some of the smallest.
You can also view some of your old favorites from Automobile in American Life, like Tom Thumb’s bicycle:
You can learn about the history of innovation through our extensive collection of patent models, like this one by Thomas Edison…
…or this patent model for a solar lamp — dating from 1871:
If you love annual events such as Hallowe'en in Greenfield Village or Holiday Nights in Greenfield Village, you might be able to recognize some of the historic imagery we draw upon in these vintage greeting cards, like this 1932 Christmas card...
…and this Hallowe’en example from the same era.
Or, you can relive the excitement of the 1908 New York to Paris Race with a series of digitized lantern slides, like this one, covering the entire worldwide route:
But that’s not all you’ll find in our digitized collections — not by a long shot. You can also check out collections relating to automotive designers Bill Mitchell and Virgil Exner, a variety of 19th century cabinet cards and cartes-de-visite, photographs and souvenirs from World’s Fairs from the 1870s through the 1980s, letters from a variety of notable Americans, the buildings of Greenfield Village (plus photographs of many of the buildings on their original sites — do a search on your favorite to see what we have), objects related to female racecar driver Lyn St. James, violins, quilts, advertising trade cards, photographs and memorabilia related to Presidential transport and even some of our toy collection and a few lunchboxes.
And there is still more!
The links and images above provide a few pointers into our digital collections, but the best way to discover them is to search them for yourself. Visit our collections site today and let us know what you find!
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford, and finds something new and fascinating among our 8000+ online collections objects daily.
21st century, 2010s, digitization, digital collections, by Ellice Engdahl, #Behind The Scenes @ The Henry Ford
The coming of a New Year is a great time to set resolutions, and for 2012, The Henry Ford has picked at least one doozy that we are very excited to share!
Over the course of the year, we will be digitizing our most “significant” icons in each of the core categories in our collections — and making those available on our collections website to anyone who is interested.
So what does that mean, and why are we so delighted about it?
Digitization is the process of making photos and information about the collections of The Henry Ford available online. In a way, this is a process that dates back to the founding of the institution, as artifacts have been catalogued and photographed over the years for internal purposes.
However, the information and images we’ve gathered and the ways in which we’ve stored those for our own usage don’t necessarily equate to the robust web presentation that we want to share with the world— so we have been spending a lot of time updating and standardizing catalog records, taking great new photographs of the collection, and writing brief narratives on the purpose and meaning of each object.
This is all part of a big project we’ve been calling CAN-DO: Collections Access Network for Digital Objects.
We really got going in earnest with this effort in 2011, with the bulk of the objects digitized either in or related to the new Driving America exhibit, which opens at the end of January. The Henry Ford obviously has very strong transportation collections, and this means that right now our digitized collections contain everything from the very rare and beautiful Bugatti...
...to an iconic Charles Sheeler photograph of the Ford Rouge plant in the late 1920s...
…and everything in between.
As 2011 began winding down, we started to think about what we would digitize in 2012. The Henry Ford has an embarrassment of riches in its collections, including hundreds of thousands of 3D objects and about 25 million 2D artifacts housed in the Benson Ford Research Center. Digitizing it all will be a multi-year, if not multi-decade, effort. What, we asked ourselves, should be our focus in 2012?
The answer was obvious: We need to make sure the public has digital access to the most “significant” artifacts at The Henry Ford. I put the term “significant” in quotation marks purposely, as significance has multiple meanings. Few could argue that an artifact like the city bus on which Rosa Parks refused to give up her seat is not a significant historical object. It is also institutionally unique. Many museums have civil rights artifacts, but there is only one Rosa Parks bus, and the only place to find it is at The Henry Ford.
The other dimension of “significance” is personal resonance. Certainly the Rosa Parks bus has personal significance for many people. But there’s also a pretty hefty degree to which personal significance diverges. For example, I wouldn’t necessarily expect this Buck Rogers poster to have personal significance for a large percentage of the public.
For me, though, this happens to be one of my very favorite collections objects that we’ve digitized thus far. It features a space pterodactyl, a disintegrator ray, rocketships, and many spacemen in dapper outfits, all illustrated with bright colors and fantastic graphic detail. These all happen to be things that I enjoy (space pterodactyls being a new but noteworthy addition to the list), so to me, this is particularly interesting.
We’ve been having a lot of interesting conversations about all the aspects of “significance” and how they relate to the collections of The Henry Ford, and have started throwing out ideas and making lists. Over the course of 2012, you will see these objects begin to show up on our collections website, but you’ll also hear about them in other ways — via blog posts from staff members, in the curators’ Pics of the Month and any other ways we can think of to share the stories that these objects tell.
We could not be more excited to start this project, and hope you are excited about it as well. Check our collections website frequently to visit your old favorites from the collections and discover new ones!
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford, which she thinks is quite possibly the coolest job ever — even if it’s a hazard of the job that her favorite collections object changes about 10 times a day.
#Behind The Scenes @ The Henry Ford, by Ellice Engdahl, digitization, digital collections
