Posts Tagged henry ford museum
Engines Exposed: 1931 Bugatti Type 41 Royale Convertible
Inline 8-cylinder engine, single overhead camshaft, 779 cubic inches displacement, 300 horsepower.
From its length, one might expect more than 8 cylinders under the Bugatti’s hood. But each of those cylinders displaces more than the whole of a Volkswagen Beetle’s power plant. Four air cleaners stand over the engine, fitted to the four carburetors installed by Charles Chayne after World War II. Two spark plugs protrude from each cylinder. The steering box sits just behind the right fender, in keeping with the car’s right-hand drive layout.
Matt Anderson is Curator of Transportation at The Henry Ford.
20th century, 1930s, luxury cars, Henry Ford Museum, events, Engines Exposed, Driving America, convertibles, cars, by Matt Anderson
Inline 4-cylinder engine, L-head valves, 177 cubic inches displacement, 20 horsepower.
Mechanical simplicity was one of the secrets behind the Model T’s success. The engine has no fuel pump, relying on gravity to feed the carburetor. There is no water pump either, as a thermosyphon effect was used to circulate cooling water. The cylinder head removes in one piece for easier servicing. Electric start was first available in 1919. The electrical system’s generator is just visible at the front of the engine.
Matt Anderson is Curator of Transportation at The Henry Ford.
Ford Motor Company, 20th century, 1910s, Model Ts, Henry Ford Museum, Engines Exposed, engines, Driving America, cars, by Matt Anderson
V-8 cylinder engine, overhead valves, 354 cubic inches displacement, 355 horsepower.
They didn’t call the Chrysler 300 letter series luxury cars “bankers’ hot rods” for nothing. The 1956 300-B’s big V-8 achieved that holy grail of one horsepower per cubic inch. The cars dominated NASCAR, where rules still restricted teams to stock power. Note the cutout in the right wheel well and the nearby spotlight. These modifications allowed the driver to check tire wear through a hole in the firewall.
Matt Anderson is the Curator of Transportation at The Henry Ford. See this engine and many others during Engines Exposed at Henry Ford Museum.
20th century, 1950s, racing, race cars, Henry Ford Museum, Engines Exposed, engines, Driven to Win, by Matt Anderson
Horizontally opposed 6-cylinder engine, overhead valves, 140 cubic inches displacement, 80 horsepower.
The compact Corvair reimagined the American automobile. Not least among its peculiarities was its rear-mounted, air-cooled aluminum engine. The air cleaner is prominent, with two hoses leading to carburetors mounted on each cylinder bank. Much of the engine is hidden by a metal shroud that directed the air flow around the unit. With its light weight and air cooling, the Corvair power plant proved popular with home airplane builders.
Matt Anderson is Curator of Transportation at The Henry Ford.
20th century, 1960s, Henry Ford Museum, events, Engines Exposed, engines, Driving America, Chevrolet, cars, by Matt Anderson
From January 10 through March 15, we’re opening the hoods on more than 40 vehicles in Henry Ford Museum. Many will agree that the engine is the heart of an automobile – whether it’s the big V-8 in our 1956 Chrysler 300-B stock car, or the compact four-banger in our 1978 Dodge Omni. Over the next several weeks, I’ll use this space to share my thoughts on a selection of our exposed engines. Some are unconventional efforts, while others are mainstays produced by the millions. Each of them offers some special insight into more than 100 years of experimentation and improvement in how we power our cars.
First up - the 1907 White Model G.
1907 White Model G
Inline 2-cylinder compound steam engine with condenser, 30 horsepower
The White’s steam engine was designed for efficiency. Steam first expanded in the smaller high-pressure cylinder at rear, then expanded again in the larger low-pressure cylinder at front. The condenser in front of the engine, resembling a radiator from an internal combustion car, captured exhausted steam and converted it back into water, to be used again. These devices gave the Model G a claimed range of 150 miles on a 17-gallon water tank.
Take a look at the opening of the White's hood over on Instagram.
Matt Anderson is Curator of Transportation at The Henry Ford.
Driving America, by Matt Anderson, Henry Ford Museum, engines, cars, Engines Exposed
Learn about one of our latest acquisitions, an Eames kiosk from the IBM Pavilion at the 1964 Worlds Fair, in this video from Henry Ford Museum.
technology, computers, Henry Ford Museum, design, collections care, by Lish Dorset, world's fairs, Eames
George DeAngelis, a long-time Ford Motor Company employee and devoted student of Henry Ford and his automobiles, passed away on December 14, 2014. Mr. DeAngelis is remembered for his published works on the Ford Model A and the Ford V-8, as well as Henry Ford’s early 999 and Arrow race cars. Here at The Henry Ford, though, we especially remember him for a pair of three-dimensional contributions: his incredible 1963 and 1991 replicas of Henry Ford’s first car, the 1896 Quadricycle.
Regular visitors to Henry Ford Museum know that the Quadricycle – the original car built by Henry Ford himself – occupies a prominent place in our Driving America exhibit. While the original car was used frequently during Henry Ford’s life – indeed, he posed with it less than a year before he died – it was retired to Henry Ford Museum by 1963, the centennial of Henry Ford’s birth. DeAngelis set out to build a working replica for the celebration. DeAngelis had the perfect background for the task. He possessed the skills of a tool and die maker, but with the careful eye of an artist. He had a genuine love for antique automobiles, to boot.
There were no blueprints of the Quadricycle, so DeAngelis gathered every written description and photograph he could find. Of course, he also had the original Quadricycle as a pattern. The historic car sat in an enclosed display case, so DeAngelis estimated his initial measurements through the glass. Amazingly, when the original Quadricycle was removed for confirmation, DeAngelis found he had made only one error – and of just 5/8 of an inch!
What DeAngelis thought would be a one-winter project turned into three years of nights and weekends. He was able to source some of his parts from lawn mower catalogs, and some from antique shops, but most he made himself. While the replica stayed remarkably true to the original, DeAngelis made a few concessions to safety and reliability. Most notably, he gave his replica a brake – something Henry’s Quadricycle never had. The work was finished by June 4, 1963, when DeAngelis drove his replica along the same route Henry Ford took during the original Quadricycle’s first drive on June 4, 1896.
When the festivities ended, The Henry Ford purchased the replica from George DeAngelis. Over the years, the 1963 copy became a staple of our annual Old Car Festival, thrilling visitors each year as museum staff drove it through Greenfield Village. In a neat coda to the story, we commissioned DeAngelis to build a second Quadricycle replica nearly 30 years later. DeAngelis’s 1991 replica now sits in the reconstruction of Henry Ford’s Bagley Avenue shed in Greenfield Village.
Matt Anderson is Curator of Transportation at The Henry Ford.
Michigan, 21st century, 20th century, quadricycle, Old Car Festival, making, in memoriam, Henry Ford Museum, Henry Ford, Greenfield Village, Ford workers, Ford Motor Company, Driving America, cars, by Matt Anderson
If you've visited Ford Field to see a Detroit Lions game, chances are you've see a neon sign that now hangs over the Pro Shop. And if you've visited Henry Ford Museum to explore Gridiron Glory: The Best of the Pro Football Hall of Fame, chances are you've seen that same sign here, this time a replica that looks like a lot like the original.
We had a chance to talk with our partners over at the Detroit Lions to learn a little bit more about this familiar sign.
The sign was created in 1963 when Mr. William Clay Ford, Sr. bought the club and was hung in the Detroit Lions Headquarters. The logo on the sign came from a patch that was worn on the team’s blue blazers that they would wear when travelling.
The Lions organization, along with the neon Lions sign, then moved to the Silverdome in 1975.
When the organization moved to Ford Field in 2002, the sign was left at the Silverdome. Ford Field Director of Sports Events Danny Jaroshewich brought it to Lions President Tom Lewand’s attention that the sign was left and suggested that it be brought to the new offices at Ford Field. The sign was sent to be refurbished before being placed above the Pro Shop, where it is still currently hung.
Lish Dorset is Social Media Manager at The Henry Ford
lighting, sports, Michigan, Henry Ford Museum, football, Detroit, by Lish Dorset
The classical violins in the collections of The Henry Ford get around. In 2011 and 2013, we had them CT scanned at Henry Ford Health System; in February 2013, Sphinx Laureate Gareth Johnson played one at the National Day of Courage; and in October 2014, they were featured on Episode 5 of The Henry Ford’s Innovation Nation. Now, thanks to a generous grant from the Michigan Council for the Arts and Cultural Affairs, they are moving out of collections storage and into the Henry Ford Museum, in a display that is planned to go live by February 1, 2015. The violins themselves will be accompanied by a digital kiosk, where visitors will be able to explore additional related artifacts from our online collections. One example of these related artifacts that we’ve just added to our digital collections is the “Badger Gavotte” sheet music for Henry Ford’s Early American Dance Orchestra. Visit our collections website to view other objects related to the Orchestra, dance, and the violins themselves, and plan to visit us next year to see the new exhibit.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
musical instruments, violins, technology, philanthropy, music, Henry Ford Museum, digital collections, by Ellice Engdahl
Our graceful Grecian couch is about 200 years old and is believed to have been made in the workshop of Duncan Phyfe in New York City. In its time, this couch was considered the best piece of upholstered furniture in a well-appointed parlor of a sophisticated New Yorker. Although these couches seem to be designed for reclining, they were not intended for repose. They were used by fashionable ladies and gentlemen, who sat in a rigid, upright position. Today, we would find sitting on this couch very uncomfortable.
It is amazing that such a specialized piece survived intact into the early 20th century, when it was acquired by The Henry Ford. This is perhaps due to the flamboyant design of the back and foot rests, which makes it an exceptionally elegant, almost sculptural, piece of furniture. The couch was last reupholstered in 1954 by Ernest LoNano, a well-known furniture restorer of the time. Since then, the upholstery had become quite dirty and worn. Continue Reading
#Behind The Scenes @ The Henry Ford, Henry Ford Museum, furnishings, decorative arts, conservation, collections care, by Fran Faile
