Interior of Henry Ford’s Private Railroad Car, “Fair Lane,” June 22, 1921 / THF148015

Beginning in 1921, Henry and Clara Ford used their own railroad car, the Fair Lane, to travel in privacy. Clara Ford designed the interior in consultation with Sidney Houghton, an interior designer based in London. The interior guaranteed a comfortable trip for the Fords, their family, and others who accompanied them on more than 400 trips between 1921 and 1942.

The view out the railcar windows often featured the landscape between Dearborn, Michigan, and Richmond Hill, Georgia, located near Savannah. The Fords purchased more than 85,000 acres in the area, starting in 1925, remaking it into their southern retreat.

On at least three occasions, Henry Ford might have looked out that Fair Lane window, observing changes in the landscape between Richmond Hill and a siding (or short track near the main railroad tracks, where engines and cars can be parked when not in use) near Tuskegee, Alabama. Henry Ford took the railcar to the Tuskegee Institute in 1938, 1941, and 1942, and Clara accompanied Henry at least twice.


Henry Ford and George Washington Carver, Tuskegee, Alabama, March 1938 / THF213839

Henry first met with George Washington Carver and Austin W. Curtis at Tuskegee on March 11, 1938. A small entourage accompanied him, including Ford’s personal secretary, Frank Campsall, and Wilbur M. Donaldson, a recent graduate of Ford’s school in Greenfield Village and student of engineering at Ford Motor Company.


George Washington Carver and Henry Ford on the Tuskegee Institute Campus, 1938. / THF213773

Photographs show these men viewing exhibits in the Carver Museum, installed at the time on the third floor of the library building on the Tuskegee campus (though it would soon move).


Austin Curtis, George Washington Carver, Henry Ford, Wilbur Donaldson, and Frank Campsall Inspect Peanut Oil, Tuskegee Institute, March 1938 / THF 213794


Frank Campsall, Austin Curtis, Henry Ford, and George Washington Carver at Tuskegee Institute, March 1938 / THF214101

Clara accompanied Henry on her first trip to Tuskegee Institute, in the comfort of the Fair Lane, in March 1941. Tuskegee president F.D. Patterson met them at the railway siding in Chehaw, Alabama, and drove them to Tuskegee. While Henry visited with Carver, Clara received a tour of the girls’ industrial building and the home economics department.

During this visit, the Fords helped dedicate the George W. Carver Museum, which had moved to a new space on campus. The relocated museum and the Carver laboratory both occupied the rehabilitated Laundry Building, next to Dorothy Hall, where Carver lived. A bust of Carver—sculpted by Steffen Thomas, installed on a pink marble slab, and dedicated in June 1937—stood outside this building.

The dedication included a ceremony that featured Clara and Henry Ford inscribing their names into a block of concrete seeded with plastic car parts. The Chicago Defender, one of the nation’s most influential Black newspapers, reported on the visit in its March 22, 1941, issue. That story itemized the car parts, all made from soybeans and soy fiber, that were incorporated—including a glove compartment door, distributor cap, gearshift knob, and horn button. These items symbolized an interest shared between Carver and Ford: seeking new uses for agricultural commodities.


Clara Ford, face obscured by her hat, inscribes her name in a block of concrete during the dedication of George Washington Carver Museum, March 1941, Tuskegee Institute, Alabama. Others in the photograph, left to right: George Washington Carver; Carrie J. Gleed, director of the Home Economics Department; Catherine Elizabeth Moton Patterson, daughter of Robert R. Moton (the second Tuskegee president) and wife of Frederick Douglass Patterson (the third Tuskegee president); Dr. Frederick Douglass Patterson; Austin W. Curtis, Jr.; an unidentified Tuskegee student who assisted with the ceremony; and Henry Ford. / THF213788


Henry Ford inscribing his name in a block of cement during the dedication of George Washington Carver Museum, Tuskegee Institute, March 1941 / THF213790

After the dedication, the Fords ate lunch in the dining room at Dorothy Hall, the building where Carver had his apartment, and toured the veterans’ hospital. They then returned to the Fair Lane railcar and headed for the main rail line in Atlanta for the rest of their journey north.

President Patterson directed a thank you letter to Henry Ford, dated March 14, 1941. In this letter, he commended Clara Ford for her “graciousness” and “her genuine interest in arts and crafts for women, particularly the weaving, [which] was a source of great encouragement to the members of that department.”

The last visit the Fords made to Tuskegee occurred in March 1942. The Fair Lane switched off at Chehaw, where Austin W. Curtis, Jr., met the Fords and drove them to Tuskegee via the grounds of the U.S. Veterans’ Hospital. Catherine Patterson and Clara Ford toured the Home Economics building and the work rooms where faculty taught women’s industries. Clara rode in the elevator that Henry had funded and had installed in Dorothy Hall in 1941, at a cost of $1,542.73, to ease Carver’s climb up the stairs to his apartment.

The Fords dined on a special luncheon menu featuring sandwiches with wild vegetable filling, prepared from one of Carver’s recipes. They topped the meal off with a layer cake made from powdered sweet potato, pecans, and peanuts that Carver prepared.

Tuskegee shared the Fords’ itinerary with Black newspapers, and the April 20, 1942, issue of Atlanta Daily World carried the news, “Carver Serves Ford New Food Products.” They concluded, in the tradition of social columns at the time, by describing what Henry and Clara Ford wore during the visit. “Mrs. Ford wore a black dress, black hat and gloves and a red cape with self-embroidery. Mr. Ford wore as usual an inconspicuously tailored business suit.”

Dr. Patterson wrote to Henry Ford on March 23, 1942, extending his regrets for not being at Tuskegee to greet the Fords. Patterson also reiterated thanks for “Mrs. Ford’s interest in Tuskegee Institute”—“The people in the School of Home Economics are always delighted and greatly encouraged with the interest she takes in the weaving and self-help project in the department.”

The Fords sold the Fair Lane in 1942. After many more miles on the rails with new owners over the next few decades, the Fair Lane came home to The Henry Ford. Extensive restoration returned its appearance to that envisioned by Clara Ford and implemented to ensure comfort for Henry and Clara and their traveling companions. Now the view from those windows features other artifacts on the floor of the Henry Ford Museum of American Innovation, in place of the varied landscapes, including those around the Tuskegee Institute, traveled by the Fords.


A view of the interior of Henry and Clara Ford’s private railroad car, the “Fair Lane,” constructed by the Pullman Company in 1921, restored by The Henry Ford to that era of elegance, and displayed in Henry Ford Museum of American Innovation. / THF186264


Debra A. Reid is Curator of Agriculture and the Environment at The Henry Ford.

1940s, 1930s, 20th century, Alabama, women's history, travel, railroads, Henry Ford Museum, Henry Ford, George Washington Carver, Ford family, Fair Lane railcar, education, Clara Ford, by Debra A. Reid, African American history

Tiny Lund in the pit at the 1965 Daytona 500 / THF117040

“Rubbin’ Is Racin’” — Robert Duvall as Harry Hogge in Days of Thunder

Stock car legend Dale Earnhardt once said, “The winner ain’t the one with the fastest car—it’s the one who refuses to lose.” This form of racing blends innovation, teamwork, and a bit of “trading paint” with rivals along the way.

Stock car racing is famously close-fought—often a contact sport. Few cars come out of a race, particularly on the shorter tracks, without at least a scrape, scratch, or dent from “trading paint” with another car. NASCAR (National Association for Stock Car Auto Racing) is an extremely popular stock car series that evolved from Southern moonshine-running during Prohibition. The spectacle is characterized by the color and noises of high-speed, ultra-close racing, highly efficient teamwork during pit stops, and the added conflict of long-standing rivalries among auto manufacturers.

The term "stock car" originally meant a car from a dealer's stock—one that was unmodified. When NASCAR ran its first series in 1949, it was called “Strictly Stock,” and for many years racing stock cars were indeed based on real production automobiles. By 1987, however, racing stock cars only looked stock, and since then, further rules changes have given NASCAR stock cars only a passing resemblance to their production counterparts, with just a few design cues to make the connection. Underneath the bodywork is a purpose-built steel tube frame chassis, racing suspension and brakes, and a pure-bred racing engine.

The Stock Car Racing section of our new exhibit, Driven to Win: Racing in America presented by General Motors, will delight people who enjoy real, hands-on pit crew teamwork with an activity for four or five people to see how fast they can change the tires and work the gas can. You’ll also see an actual stock car and other related artifacts.

2011 Ford Fusion, driven by Trevor Bayne

(On loan from the Wood Brothers Racing)


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This car, driven by Trevor Bayne, won the Daytona 500 in 2011. His was a milestone victory in several ways. It was Ford’s 600^th win in NASCAR’s premier Cup Series, scored by a legendary team that has been involved from NASCAR’s beginnings. It was the fifth Daytona 500 win for Wood Brothers Racing and the twelfth by a Ford car (Wood Brothers also scored Ford’s first, in 1963). For Trevor Bayne, who had celebrated his 20th birthday the day before, it was his first victory in NASCAR’s top series, making him the Daytona 500’s youngest winner. (Coincidentally, in Wood Brothers’ first Daytona 500 win in 1963, it was also driver Tiny Lund’s first NASCAR cup win.)

The Wood Brothers are celebrated for revolutionizing NASCAR’s pit stops. They pioneered the fast, meticulously choreographed and coordinated actions of the team’s “over-the-wall” crew, who jack up the car, change the tires, and fill the gas tank with blinding speed. Their pit stop fame prompted Ford and Team Lotus to hire Wood Brothers to service Jim Clark’s car in the 1965 Indy 500.

This car also benefits from safety advances instituted following Dale Earnhardt Sr.’s fatal crash at the end of the 2001 Daytona 500. That tragic event launched a revolution in NASCAR’s safety regulations and procedures. Arguably the most important of these is the mandatory use of the HANS (Head and Neck Support) device that restricts the movement of a driver’s head in a hard crash. In addition, SAFER (Steel and Foam Energy Reduction) barriers, mandatory crash data recorders in the cars to advance knowledge of crash dynamics, and more energy-absorbing deformation zones were introduced into the next generation of NASCAR stock cars.

Additional Artifacts

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Beyond the 2011 Ford Fusion, you can see these artifacts related to stock car racing in Driven to Win.

 

• Wood Brothers Racing Pit Crew Shirt, circa 1969
• Pennant, "Kyle Petty, #44," 1999
• Cheerios Breakfast Cereal Featuring Richard Petty, 2001
• Racing Suit Worn by Kurt Busch While Competing in the NASCAR Winston Cup Series, 2001
• Pennant, "Kurt Busch, #97" 2001-2003
• Race Fans for a Cure Collectible Model Car, 2002
• Tide Racing Baseball Cap, 2006
• NASCAR Jacket, 2010
• Racing Gloves Worn by Danica Patrick While Competing in the NASCAR Sprint Cup Series, circa 2012
• Leather Jacket, "Drive4COPD," Worn by Danica Patrick, circa 2012
• Pinwheel, Symbol of "Drive4COPD," circa 2012
• Racing Shoes Worn by Clint Bowyer While Competing in the NASCAR Sprint Cup Series, 2012-2016
• Racing Shoes Worn by Kevin Harvick While Competing in the NASCAR Sprint Cup Series, 2014
• Racing Suit Worn by Kevin Harvick While Competing in the NASCAR Sprint Cup Series, 2014

 

Dig Deeper

Cale Yarborough Seated in Ford Motor Company's Special Edition Mercury Cyclone Spoiler II, during the Daytona 500 Race, Florida, February 25, 1968 / THF81653

Learn more about stock car racing and racers with these additional resources from The Henry Ford.

• Take a quick look at the career of stock car racer Vicki Wood.
• Revisit the excitement of the original unveiling of Trevor Bayne’s Ford Fusion in Henry Ford Museum of American Innovation.
• Watch NASCAR legends, from Trevor Bayne to Richard Petty, visit Henry Ford Museum of American Innovation.
• Discover the story of Wendell Scott, the first Black driver to win a NASCAR Cup Series event.
• Visit the NASCAR Hall of Fame with The Henry Ford’s curator of transportation, Matt Anderson.
• Check out Driven to Win with up-and-coming NASCAR driver Armani Williams.
• Learn more about Armani Williams’s racing career so far and his work for autism awareness.
• See NASCAR's Stewart-Haas Racing team visit Henry Ford Museum of American Innovation.
• Hear racing legend Mario Andretti describe his win at the 1967 Daytona 500.

Additional Readings:

• 1933 Willys Drag Racer
  
• 2001 Chevrolet Corvette C5-R. On Loan from General Motors Heritage Center.
  
• Trained for the Track: Positioning Racing’s Athletes for Success
  
• Eight Questions with Vaughn Gittin, Jr.

cars, Henry Ford Museum, Driven to Win, race cars, race car drivers, racing

THF90395

A familiar vehicle few Americans use.

Most Americans rarely take taxis—perhaps only when going to an airport or visiting a city with unfamiliar transit systems. But taxis are a viable alternative to owning a car in cities where traffic is dense, and parking is inconvenient and expensive. They provide point-to-point transportation, alone or in combination with subways, elevated trains, and buses—and in increasing competition with Internet-based ridesharing services.

The term “cab” predates the automobile. It comes from “cabriolet,” a type of carriage used for paid fares.


"Omnibuses & Cabs, Their Origin & History," 1902 / THF105848

“Taxi” comes from taximètre, a French word for a meter that measures distance and calculates a fare. By 1900, meters were widely used in Europe and came to the U.S. in 1907.


The Automobile Magazine for March 19, 1908 / THF105850

In 1961, Checker had been creating purpose-built cabs for 39 years.


"Use the Only Real Taxicab, Checker," 1961 / THF105852

Checker cabs were spacious and easy to get into and out of, with big trunks for lots of luggage.


"Checker, The Only Real Taxicab!," 1967 / THF105854


This post was adapted from an exhibit label in Henry Ford Museum of American Innovation.

Additional Readings:

• 1956 Chevrolet Bel Air Convertible
  
• 1931 Duesenberg Model J Convertible Victoria: The World’s Finest Motorcar?
  
• Women in the War Effort Workforce During WWII
  
• 1959 Cadillac Eldorado Biarritz Convertible: Is This the Car for You?

20th century, 1980s, Henry Ford Museum, Driving America, cars

Barney Oldfield and Lincoln Beachey Racing, Columbus, Ohio, 1914 / THF228829

Skilled Showmen

In racing, a skilled driver means everything, but if that person is blessed with charisma and an ability to attract attention, then the fruits of promotion are close at hand. Ability behind the wheel is essential for winning races. But from the sport’s earliest days, success in auto racing also has been augmented by a driver’s ability to attract attention and build a relationship with fans. This helps generate public awareness, fundraising, and sponsorship. In our new racing exhibit, Driven to Win: Racing in America presented by General Motors, two exceptional examples—one from the early days of the sport and one from today—are featured, along with their cars.

Ford “999,” Driven by Barney Oldfield

THF90218

In the early 1900s, Barney Oldfield made himself larger than life with his widely publicized exploits on racetracks. Oldfield had a reputation as a fearless bicycle racer, and the very first automobile he ever drove was Henry Ford’s “999.” That was about a week before he raced it in the Manufacturers' Challenge Cup on October 25, 1902. Oldfield won handily, which launched his colorful auto racing career. It also produced the first of many opportunities for Henry Ford to promote Oldfield’s exploits to continue building his own reputation on the way to founding Ford Motor Company a year later.

2012 Ford Fiesta ST HFHV, Driven by Ken Block

THF179703

Ken Block has successfully used his charisma, along with his unquestionable car-control skills, to create a name for himself and to build public awareness for his sponsors and their products. Barney Oldfield was largely limited to personal appearances, posters, and newspaper stories and ads to build his brand and those of his backers, but Ken Block has been able to add video, television, the Internet, and social media to his arsenal for attracting attention. His viral “Gymkhana” videos alone have generated hundreds of millions of views around the world. The car you’ll see in Driven to Win was used in “Gymkhana FIVE: Ultimate Urban Playground; San Francisco.”

Additional Artifacts

THF179739

Beyond the cars, you can see these artifacts related to showmanship in Driven to Win.

• Racing Helmet Worn by Ken Block in "Gymkhana Five," circa 2012
• Sunglasses, Worn by Ken Block, circa 2012
• Driving Shoes Worn by Ken Block in "Gymkhana Five," circa 2012

 

Dig Deeper

Katherine Stinson with Barney Oldfield at Ascot Speedway, Los Angeles, California, November 29, 1917 / THF129701

Learn more about showmanship in racing with these additional resources from The Henry Ford.

• Learn even more about Barney Oldfield’s life and legacy through artifacts from our collections.
• Take a moment to get to know the “999.”
• Read our press release to learn more about Ken Block’s Ford Fiesta featured in the exhibit.
• Watch our interview with another great racing showman, Mario Andretti.
• Uncover the answers to eight questions with Vaughn Gittin, Jr. in The Henry Ford Magazine.
• See legend Richard Petty and a number of his NASCAR driver colleagues visit Henry Ford Museum and Greenfield Village.
• Discover the story of Dale Earnhardt, Sr.’s breakthrough victory at the 1998 Daytona 500.

popular culture, Henry Ford, race cars, race car drivers, racing, Henry Ford Museum, Driven to Win

Festival Queen with the Borg-Warner Trophy at the 52nd Indianapolis 500, May 30, 1968 / Indy50005-68_1096

The Greatest Spectacle in Racing

Say "Indianapolis" and everyone immediately thinks "500." Yes, we’re talking about the greatest spectacle in racing.

The Indianapolis 500-mile race and its venue, Indianapolis Motor Speedway, are the grandparents of American races and race tracks. The 2.5-mile rectangular oval was constructed in 1909 and paved with 3.2 million bricks, which prompted the moniker, “The Brickyard.” A three-foot strip of bricks remains today at the start/finish line. The first Indianapolis 500 ran in 1911, and Ray Harroun won, driving a Marmon Wasp on which Harroun installed a rear-view mirror he had designed—the first ever used on an automobile. His average speed for the 500 miles was 74.602 mph. At present, the fastest 500-mile average speed was set by Tony Kanaan in 2013 at 187.433 mph.

As the 500 grew in importance, it soon became America’s most famous auto race and attracted interest globally. Out of the track’s fame, the name "Indy Car” soon was applied to the open-wheel cars that toured the United States (and much later were included in races in Canada and Mexico), but the Indianapolis 500 always has been the biggest, most important event on the calendar: “The Greatest Spectacle in Racing.”

Our new exhibit, Driven to Win: Racing in America presented by General Motors, has an entire section on Indy Car racing, in which you’ll find some key vehicles and other artifacts related to this grand tradition.

1935 Miller-Ford

THF90846

For the 1935 Indy 500, Henry Ford entered a factory team of cars, designed by Harry Miller and powered by modified Ford V-8 engines. This car is one of ten that were built. Miller was the most important American racing designer before World War II. His legacy includes the 4-cylinder Offenhauser engine (for an example, check out the Meskowski-Offenhauser, which you’ll also find in Driven to Win), plus innovation, superb craftsmanship, and artistic touches like the aerodynamic, cast-aluminum suspension arms that could be pieces of sculpture. This car is lower and more streamlined than any other 1935 race car, with four-wheel drive and independent suspension, front and rear—unheard of back then. Unfortunately, the project had insufficient development time, and the car had a flaw that abbreviated testing didn’t reveal until it was too late. The steering box was mounted too close to the exhaust manifold, and eventually the exhaust heat caused the steering to seize up. All the Miller-Ford cars that qualified for the 500 dropped out.

1972 McLaren M16-Offenhauser (crash remnants)

THF137315

This collection of parts is the remnants of one of the most horrific crashes in Indianapolis 500 history. It reminds us that auto racing, while much safer than it used to be, will always be dangerous. In a melee of cars on the front straight at the start of the 1973 Indy 500, this car, driven by David "Salt" Walther, crashed into the outside wall and flipped into the retaining fence. A fuel tank ruptured and the methanol fuel burst into flames. The front of the car ripped off, and videos show Walther's feet dangling outside. He was badly burned, and some spectators also were burned, but there were no fatalities. In spite of his severe injuries, Walther came back to race again in 1974. Safety equipment like a helmet, fire-resistant clothing, a roll bar, and rubber fuel tank liners helped Walther survive, but the crash also triggered some changes to safety rules. Smaller fuel tank capacity reduced the risk of fire, smaller rear wings were mandated to reduce speeds, and the track updated many of its rapid-response procedures.

1984 March 84C-Cosworth

THF90257

Tom Sneva qualified on the pole for the 1984 Indianapolis 500 in this car, with a four-lap average of 210.029 mph. He was the first driver ever to qualify at more than 200 mph. The car is powered by a 159-cubic-inch Ford/Cosworth V-8 engine that produces some 740 horsepower. This car’s design and engineering follow trends that began in the 1970s and are still seen in today’s Indy Cars. The front and rear wings generate aerodynamic downforce to help the car’s tires grip the road. Its cooling radiators are mounted in the side pods, and the bodywork under the pods is shaped to create a low-pressure area that adds more downforce to essentially suck the car down onto the track. The monocoque chassis is made with both aluminum and magnesium. Today’s Indy Cars still have wings and side pods, but the monocoque chassis are now fabricated from carbon fiber.

Additional Artifacts

THF69383

Beyond the cars, you can see these artifacts related to Indy Car racing in Driven to Win.

• Head and Neck Support Device from Lyn St. James' Race Car
• Commemorative Ring, Awarded to Lyn St. James for Placing in the Starting Grid of the Indianapolis 500, 1992
• Racing Suit Worn by Lyn St. James While Competing at the 1992 Indianapolis 500
• "Rookie of the Year" Trophy, Awarded to Lyn St. James at the 1992 Indianapolis 500
• Racing Glove Worn by Janet Guthrie during the 1977 Indy 500
• Racing Suit Worn by Sarah Fisher While Competing in the Homestead–Miami Indy 300 Race, 2009
• Racing Helmet Worn by Lyn St. James While Competing at the 1992 Indianapolis 500
• Racing Helmet Worn by Rudolf Caracciola, 1939
• Racing Helmet Worn by A. J. Foyt, 1967-1969
• Racing Helmet Worn by Dan Gurney, 1975

 

Dig Deeper

Ford Thunderbird, Official Pace Car at Indianapolis 500, May 30, 1961 / THF130832

Learn more about Indy Car racing with these additional resources from The Henry Ford.

• Check out our Visionaries on Innovation video interviews with those who have left their mark on the Indy 500—as drivers, behind the scenes, or both: Mario Andretti, Jim Dilamarter, A.J. Foyt, Dan Gurney, Parnelli Jones, Lyn St. James, and Bobby Unser.
• Explore a few of the traditions of the Indianapolis 500 in this blog post.
• See more artifacts related to the Indy 500 from our collections in our expert set.
• Watch the story of Salt Walther’s 1973 crash.
• Dig into the pace car tradition, including the specific story of our 1953 Ford Sunliner pace car.
• Uncover how Scottish drivers have brought their talent across the pond to the Brickyard.
• Learn the story of Jeanetta Holder, who for four decades combined her love of auto racing and her sewing talents to create unique quilts for winners of the Indianapolis 500 and other auto races.
• See how Janet Guthrie broke Indy’s glass ceiling.
• Find out how Lyn St. James became the first woman to win Rookie of the Year at the 1992 Indy 500.
• Discover how Sarah Fisher became the youngest woman, at age 19, to compete in the Indianapolis 500.
• To find tons of additional resources related to some of our most significant Indianapolis 500 vehicles—the 1960 Meskowski Race Car, the 1965 Lotus-Ford Race Car, and the 1988 Rick Mears Winning Indy Car Replica (on loan courtesy General Motors Heritage Center)—check out our blog post on the “In the Winner’s Circle” section of Driven to Win.

Henry Ford Museum, racing, race car drivers, race cars, Indy 500, Driven to Win

Driven to Win: Racing in America presented by General Motors.

The Henry Ford’s newest exhibition, Driven to Win: Racing in America presented by General Motors, opened to the public on March 27. It’s been a thrill to see visitors experiencing and enjoying the show after so many years of planning.

Along with all of that planning, we did some serious collecting as well. Visitors to Driven to Win will see more than 250 artifacts from all eras of American racing. Several of those pieces are newly acquired, specifically for the show.


Shoes worn by Ken Block in Gymkhana Five. Block co-founded DC Shoes in 1994. / THF179739

The most obvious new addition is the 2012 Ford Fiesta driven by Ken Block in Gymkhana Five: Ultimate Urban Playground; San Francisco. The car checked some important boxes for us. It represented one of America’s hottest current motorsport stars, of course, but it also gave us our first rally car. The Fiesta wasn’t just for show—Block drove it in multiple competitions, including the 2012 X Games in Los Angeles, where he took second place (one of five podium finishes Block took in the X Games series). At the same time, we collected several accessories worn by Block, including a helmet, a racing suit, gloves, sunglasses, and a pair of shoes. The footwear is by DC Shoes, the apparel company that Block co-founded with Damon Way in 1994.

Racing toys and games are prominently represented in Driven to Win. We have several vintage slot cars and die cast models, but I was excited to add a 1:64 scale model of Brittany Force’s 2019 Top Fuel car. Force is one of NHRA’s biggest current stars, and an inspiration to a new generation of fans.


Charmingly dated today, Pole Position’s graphics and gameplay were strikingly realistic in 1983. / THF176903

Many of those newer fans have lived their racing dreams through video games. We had a copy of Atari’s pioneering Indy 500 cartridge already, but I was determined to add newer, more influential titles to our holdings. While Indy 500 didn’t share much with its namesake race apart from the general premise of cars competing on an oval track, Atari’s Pole Position brought a new degree of realism to racing video games. Pole Position was a top arcade hit in 1982, and the home version, released the following year, retained the full-color landscapes that made the game so lifelike at the time. I was excited to acquire a copy that not only included the original box, but also a hype sticker reading “Arcade Hit of the Year!”

Another game that made the jump from arcade to living room was Daytona USA, released in 1995 for the short-lived Sega Saturn. Rather than open-wheel racing, Daytona USA based its gameplay on stock car competition. The arcade version was notable for permitting up to eight machines to be linked together, allowing multiple players to compete with one another.

More recently, the Forza series set a new standard for racing video games. The initial title, Forza Motorsport, featured more than 200 cars and encouraged people to customize their vehicles to improve performance or appearance. Online connectivity allowed Forza Motorsport players to compete with others not just in the same room, but around the world.

One of my favorite new acquisitions is a photograph showing a young racer, Basil “Jug” Menard, posing with his race car. There’s something charming in the way young Menard poses with his Ford, a big smile on his face and hands at his hips like a superhero. His car looks worse for the wear, with plenty of dents and an “85” rather hastily stenciled on the door, but this young driver is clearly proud of it. Menard represents the “weekend warrior” who works a regular job during the week, but takes on the world at the local dirt track each weekend.


When we talk about a racer’s tools, we don’t just mean cars and helmets. / THF167207

Drivers may get most of the glory, but they’re only the most visible part of the large team behind any race car. There are folks working for each win everywhere from pit lane to the business office. Engineers are a crucial part of that group, whether they work for the racing team itself, the car manufacturer, or a supplier. In the early 20^th century, Leo Goossen was among the most successful racing engineers in the United States. Alongside designer Harry Miller, Goossen developed cars and engines that won the Indianapolis 500 a total of 14 times from 1922 to 1938. We had the great fortune to acquire a set of drafting tools used by Goossen in his work. The donor of those tools grew up with Goossen as his neighbor. As a boy, the donor often talked about cars and racing with Goossen. The engineer passed the tools on to the boy as a gift.

We could not mount a serious exhibit on motorsport without talking about safety. Into the 1970s, auto racing was a frightfully dangerous enterprise. Legendary driver Mario Andretti commented on the risk in the early years of his career during our 2017 interview with him. Andretti recalled that during the drivers’ meeting at the beginning of each season, he’d look around the room and wonder who wouldn’t survive to the end of the year.

Improved helmets went a long way in reducing deaths and injuries. Open-face, hard-shell helmets were common on race tracks by the late 1950s, but it wasn’t until 1968 that driver Dan Gurney introduced the motocross-style full-face helmet to auto racing. Some drivers initially chided Gurney for being overly cautious—but they soon came to appreciate the protection from flying debris. Mr. Gurney kindly donated to us one of the full-face helmets he used in occasional races after his formal retirement from competitive driving in 1970.

And speaking of Dan Gurney, he famously co-drove the Ford Mark IV to victory with A.J. Foyt at Le Mans in 1967. We have a treasure trove of photographs from that race, and of course we have the Mark IV itself, but we recently added something particularly special: the trophy Ford Motor Company received for the victory. To our knowledge, Driven to Win marks the first time this trophy has been on public view in decades. Personally, I think the prize’s long absence is a key part of the story. Ford went to Le Mans to beat Ferrari. After doing so for a second time in 1967, Ford shut down its Le Mans program, having met its goal and made its point. All the racing world had marveled at those back-to-back wins—Ford didn’t need to show off a trophy to prove what it had done!


Janet Guthrie wore this glove at the 1977 Indy 500—when she became the first woman to compete in the Greatest Spectacle in Racing. / THF166385

For most of its history, professional auto racing has been dominated by white men. Women and people of color have fought discrimination and intimidation in the sport for decades. It is important to include those stories in Driven to Win—and in The Henry Ford’s collections. We documented Janet Guthrie’s groundbreaking run at the 1977 Indianapolis 500, when she became the first woman to compete in America’s most celebrated race, with a glove she wore during the event. I quite like the fact that the glove had been framed with a plaque, a gesture that underlined the significance of Guthrie’s achievement. We’ve displayed the glove in the exhibit still inside that frame. More recently, Danica Patrick followed Guthrie’s footsteps at Indy. Patrick also competed for several years in NASCAR, and in 2013 she became the first woman to earn the pole position at the Daytona 500. She kindly donated a pair of gloves that she wore in 2012, her inaugural Cup Series season.


Wendell Scott, the first Black driver to compete full-time in NASCAR’s Cup Series, as photographed at Charlotte Motor Speedway in 1974. / THF147632

Wendell Scott broke NASCAR’s color barrier when he battled discrimination from officials and fans to become the first Black driver to win a Cup Series race. Scott earned the victory at Speedway Park in Jacksonville, Florida, in December 1963. We acquired a photo of Scott taken later in his career, at the 1972 World 600. Scott retired in 1973 after sustaining serious injuries in a crash at Talladega Superspeedway. In addition to acquiring the photo, we were fortunate to be able to borrow a 1966 Ford Galaxie driven by Scott during the 1967 and 1968 NASCAR seasons.

Wendell Scott’s impact on the sport is still felt. Current star Darrell “Bubba” Wallace is the first Black driver since Scott to race in the Cup Series full-time. Following the murder of George Floyd on May 25, 2020, Wallace joined other athletes from all sports in supporting the Black Lives Matter movement. He and his teammates at Richard Petty Motorsports created a special Black Lives Matter paint scheme for Wallace’s #43 Chevrolet Camaro, driven at Virginia’s Martinsville Speedway on June 10, 2020. We acquired a model of that car for the exhibit. The interlocked Black and white hands on the hood are a hopeful symbol at a difficult time.

Our collecting efforts did not end when Driven to Win opened. We continue to add important pieces to our holdings—most recently, items used by rising star Armani Williams in his stock car racing career. There will be more to come: more artifacts to collect, more stories to share, and more insights on the people and places that make American racing special.


Matt Anderson is Curator of Transportation at The Henry Ford.

21st century, 20th century, women's history, video games, toys and games, racing, race cars, race car drivers, Henry Ford Museum, engineering, Driven to Win, by Matt Anderson, African American history, #Behind The Scenes @ The Henry Ford

John Henry and Beatrice Marie “Peggy” Rendzio. Photo by Nick Hagen.

Twenty-five-year members John Henry and Beatrice Marie “Peggy” Rendzio find a much-needed outlet for exercise among the artifacts and exhibits of Henry Ford Museum of American Innovation.

When you’re in your mid-90s, finding a climate-controlled space where you feel comfortable getting in a bit of physical fitness may be difficult. That’s why you’ll find John Henry and Beatrice Marie “Peggy” Rendzio at Henry Ford Museum of American Innovation almost every day around 10-10:30 a.m. Members of The Henry Ford for a quarter of a century, the Rendzios are longtime regulars with The Henry Ford’s museum walkers, a cherished group of old and young who use the museum’s perimeter and winding exhibit pathways to exercise and socialize. Danette Fusco, with The Henry Ford’s Guest Services team, sees the Rendzios often. “Like clockwork, this charming couple visits to get their daily exercise and socialization,” she said. “They are truly an inspiration.”

Their must-do:
Walking in Henry Ford Museum of American Innovation.

Their favorite member perk: 
“We walk almost every day in the museum,” said John Henry. “We know the security guards and lots of the staff. And after we’re done walking, we can stop in at Plum Market for a coffee and sometimes a cookie.”  


What’s your spark? Let us know what inspires you on your next visit and what takes you forward from your membership. Email us at membership@thehenryford.org. Take it forward as a member—enjoy benefits like free parking, discounts on events and tours, exclusive member previews, and more.

This post was adapted from an article in the forthcoming June-December 2021 issue of The Henry Ford Magazine.

21st century, 2020s, The Henry Ford Magazine, Henry Ford Museum

Basil "Jug" Menard Posing with a Modified Ford Coupe Race Car. Taunton, Massachusetts, circa 1946 / THF140176

Igniting a Lifelong Passion

Most of us are enchanted with competition. For those with gasoline in their veins, there’s only one way to scratch the itch—become a racer.

Things we do when we’re young often inspire a lifelong passion. Many adults involved in auto racing—as well as adult fans of auto racing—ignited their interest through early experiences. There are many avenues for kids to explore race cars and racing that can arouse a passion for the sport, and you can learn about some of them in the “Igniting the Passion” section of our new racing exhibit, Driven to Win: Racing in America presented by General Motors. There is an actual Quarter Midget race car, and kids can sit in the driver’s seat. You can see and hear stories from the people with a passion for racing about how they got started. And there are the toys (including slot cars), and a place where kids can build their own wooden kit car then race it against others on a sloped track.

Quarter Midget Racer

The Quarter Midget race car is one-quarter the size of an adult racer’s Midget Sprint Car and has much lower power output. Still, these are serious race cars, with protective systems designed to keep their young drivers as safe as possible. A Quarter Midget is powered by a single-cylinder, 7-cubic-inch engine, and they race on oval tracks that are one-twentieth of a mile around—264 feet. Speeds reach the 45-mph range, and kids learn the skills of car control, race tactics, and race strategy that are essential foundations for aspiring drivers. Many racing stars, past and present, began their careers in Quarter Midgets, including A.J. Foyt, Jeff Gordon, Joey Logano, Sarah Fisher, Jimmy Vasser, and many more.

Soap Box Derby Car

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The Soap Box Derby car, powered only by gravity, is home-built and raced by kids in downhill competitions that can be intense. Mason Colbert placed third with this car in the 1939 All-American Soap Box Derby national championship in Akron, Ohio.

Tether Cars, or Spindizzies

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A large display in Driven to Win features more than 50 gas-powered, scale-model tether cars (along with tools and parts), which were popular from the 1930s to the 1950s. Check out all of the spindizzies you’ll see on display here.

Additional Artifacts

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Beyond the vehicles highlighted above, you can see these artifacts related to igniting a love of racing in Driven to Win.

• Soap Box Derby Racing Helmet, 1935-1945
• Scale Model of Eagle #6 Race Car, Driven by Bobby Unser at 1972 Indianapolis 500
• Scale Model of Goldenrod Land Speed Record Race Car, 1966
• Round 2 "Auto World: 2019 Brittany Force Top Fuel Dragster" Diecast Model, 2019
• Hot Wheels Dragster, 1975-1980
• Hot Wheels Race Car, 1974-1980
• Lego Speed Champions Set, "2016 Ford GT & 1966 Ford GT40," 2017
• Record Album, "Men, Machines and the Moment," Recorded by Dennis Agajanian, 1976
• Record Album, "The Big Sounds of the Drags!," 1963
• Recording of 1963 Indianapolis 500 Race
• Slot Car, Ford GT Body, 1960-1970
• Slot Car, Indy Car Body, 1965-1970
• Sections of Slot Car Roadway, 1964-1968
• Slot Car Speed Control, 1964-1968
• Atari Video Game, "Indy 500," 1977
• Atari Video Game, "Pole Position," 1983
• Sega Video Game, "Daytona USA," 1995
• Microsoft Xbox Video Game, "Forza Motorsport," 2005
• Kentucky Straight Bourbon Whiskey Bottle, Olsonite Eagle 6 Racing Car, 1973
• Bumper Sticker, “Dan Gurney, Car and Driver Candidate for President,” 1964
• Pennant, "Jeff Gordon, #24," 1999

Dig Deeper

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Learn more about igniting the passion with these additional resources from The Henry Ford.

• Take a peek into the exciting hobby of tether car racing in our expert set.
• Watch the tether cars being installed into Driven to Win on our Facebook page.
• Visit our blog to learn more about the woman who co-designed Atari’s video game “Indy 500.”
• Discover how a student-built concept car got more than 3,400 MPG on the streets of downtown Detroit in this Maker Faire Detroit presentation.
• Go behind the scenes with the Power Racing Series at Maker Faire Detroit.
• Hear racing legend Mario Andretti explain how his love for the sport started in this clip from our 2017 interview.

childhood, toys and games, racing, race cars, Henry Ford Museum, Driven to Win, cars

Alice McAlexander & Warren Flood, plus Malcolm. Photo courtesy Warren Flood.

One-year members Alice McAlexander, Warren Flood, and their son find wonder in a bus, a collection of trains, and a carousel.

A perennial first stop at The Henry Ford for Alice McAlexander, Warren Flood, and their son, Malcolm, is the Rosa Parks Bus in the museum’s With Liberty and Justice for All exhibition, where powerful storytelling offers an affecting, unforgettable journey from then to now without fail. After moving to Michigan during the frigid winter, this trio found The Henry Ford a twice-weekly indoor wonderland, smoothing their transition from sunny Los Angeles. Euphoria for Malcolm is when he is perched on the museum’s New Holland combine or the village’s Herschell-Spillman Carousel. For the couple, The Henry Ford delivers hope and optimism for their son and all the next generations, linking historical creativity and invention with future innovation.

Their must-dos:

Seeing the different trains, carriages, and Model T’s throughout the museum and then watching them spring to life in a whole new way in Greenfield Village. Letting their son feed his obsession for the Mold-A-Ramas in the museum. He has collected nearly every mold.

Their favorite member perk: 

“Our two-year-old wakes up and asks to go to the museum or Greenfield Village all the time, and every trip is a guaranteed great adventure full of new sights and experiences.”


What’s your spark? Let us know what inspires you on your next visit and what takes you forward from your membership. Email us at membership@thehenryford.org. Take it forward as a member—enjoy benefits like free parking, discounts on events and tours, exclusive member previews, and more.

This post was adapted from an article in the June-December 2020 issue of The Henry Ford Magazine.

2020s, Greenfield Village, Henry Ford Museum, Michigan, Dearborn, 21st century, The Henry Ford Magazine

For a museum professional who takes care of collection objects, it isn’t often that the opportunity to be crafty comes along. When it does, however, those random skills you never thought would be useful come in handy.

Case in point was a mannequin for our latest What We Wore display, featuring clothing and accessories related to sports, that needed a fresh hairstyle. Paper wigs are useful in creating a simple look, but can also give a “wow” factor that regular wigs cannot. For our cycling mannequin, we attempted the windswept, curly style of the early 20^th century. What follows is the process it took to make this paper wig. May it inspire you to try crafting your own!

The useful tips and tricks detailed by the FIDM Museum & Galleries and the Museum of Applied Arts & Sciences were invaluable resources to start the process. First, the search for suitable paper was a challenge, based on the recommendation of a 70 lb. watercolor paper. The art store had a wide selection of papers, but nothing that fit that description perfectly. We tried two samples: a 74 lb. smooth, waterproof synthetic paper made of polypropylene, and a textured 90 lb. cotton fiber watercolor paper. Both had their strengths and weaknesses, based on dyeability, strength, and size. Trial and error with curling the papers determined that the cotton fiber paper was best for this project because it was a bit more durable and gave us the option for coloring the paper.


Comparison of the synthetic paper on top and the cotton fiber watercolor paper on bottom.

The next step was deciding how to cut the paper into strips. We tried straight, long “hairs,” and a half-rainbow segment, but ultimately went with a wavy rainbow that created the perfect curly appearance.


Leave a ½-inch edge at the top of the hair sections, as this will be the “roots” that attach to the mannequin head.

As for curling the strands, here is where those random skills help! The suggestion was to wrap the paper strands around a #2 pencil or the end of a paintbrush to create the waves. However, we found that pulling the paper with scissors, a technique used for curling balloon ribbons, was most effective in getting the result we wanted.

We then took our fabric-covered foam head and decided where the hairline should start and in which direction to start attaching the strand sections. We used straight pins to keep the “hair” in place, but you could also use double-sided tape or glue, depending on the material of the mannequin head and its intended use afterwards. For us, since the hair is pinned in place, it is easily removable for the next exhibit.



A hat would be placed on top, so we pulled the sections of hair back around a ball of tissue paper for volume and extra support. These sections were taped, because the pins would slide out from such a thick amount of paper to secure. A circular piece of foam was placed on top of the head so that the hat could be secured in place with long pins


Ball of tissue inside the first layers of “hair.”


Attaching the final strands to the head.

The great thing about paper wigs is that you are limited only by your own creativity! Ribbons, feathers, and hairpins can all be added to create even more style. Depending on the paper used, colorful looks are also an option.

And voila! Here we have our cycling fashionista enjoying some time with her other athletic friends. Be sure to come to the museum and see our new What We Wore exhibit, featuring sports, on display all summer.


The cyclist, with her paper wig, in the What We Wore sports display, currently on exhibit in Henry Ford Museum of American Innovation.


Marlene Gray is Senior Conservator at The Henry Ford.

by Marlene Gray, #Behind The Scenes @ The Henry Ford, making, fashion, What We Wore, Henry Ford Museum, collections care