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How We Grow

May 2, 2014 Think THF

This story originally ran in the June-May 2013 edition of The Henry Ford Magazine.

Greenhouses on rooftops in city centers, next to supermarkets, on hospital campuses, in Antarctic research centers, on golf resorts and on space stations.

I continue to see new applications and extensions of hydroponic growing popping up in nontraditional spaces around the world, especially as populations increase and arable land declines. For me, I consider it my privilege that I have been able to help design cropping systems in some of these spaces — from the British West Indies and downtown Montreal to a suburb of Detroit — that are maximizing production while using less energy and natural resources.

Hydroponics, or growing plants without soil, isn’t a new science, but it is a versatile one.

Almost all commercial greenhouse vegetable production is grown hydroponically. Some of the largest growers in the U.S. and Canada, such as Village Farms, Windset Farms, Eurofresh Farms and Houweling’s Tomatoes, have hydroponic greenhouse operations equaling 200 or more acres in size, with tomatoes, peppers, cucumbers, eggplants, lettuce and various herbs growing.

One of my most recent challenges was designing a small greenhouse for Henry Ford West Bloomfield Hospital in a suburb outside Detroit. The objective was to produce vegetables hydroponically to increase production in the limited area of the greenhouse. At the same time, they wanted to grow an assortment of vegetables.

To do this, we designed a number of different hydroponic systems to meet the specific needs of each crop. Plant towers increased production of various herbs, as greenhouses have vertical space that must be optimized in its production systems. A water culture system called nutrient film technique (NFT) was the choice for lettuce and basil. Tomatoes, peppers and other vine crops are grown in buckets of perlite with a drip irrigation system feeding the plants with a nutrient solution.

The versatility of hydroponics applied at its simplest best.

Better by design, hydroponic operations, whether they are large and commercial or smaller scale like the hospital’s greenhouse, require less space, less energy to run and consume less water. And, without the presence of soil, they don’t have to rely on artificial pesticides. Instead, they can use Integrated Pest Management (IPM), a biological procedure powered by natural predators and bioagents (pesticides made from natural sources), to control pests.

For the end consumer, that equates to crops free of disease, improved food safety and even increased nutritional value.

Howard Resh is the manager of the hydroponic farm at CuisinArt Golf Resort & Spa in Anguilla, British West Indies, where fresh salad crops are grown for the guests of the resort. Dr. Resh is also an international consultant on the development of hydroponic operations. He has written five books, with Hydroponic Food Production in its seventh edition, and also has a website.

farming equipment, The Henry Ford Magazine, farms and farming, by Howard Resh, agriculture

Goodbye winter, hello spring!

As spring officially begins today, Michiganders breathe a collective sigh of relief. For those who have experienced it, the winter of 2014 has been memorable; this is especially true for the Firestone and William Ford Barn staff who braved polar vortexes and many feet of snow to ensure our animals had the shelter, food, water, vet care, and stimulation they needed.

gv-firestone

Horses at Greenfield VillageThroughout the winter months, we still had vet appointments, our farrier still changed horseshoes, we still taught horses new skills (when conditions were safe for humans and horses alike), and we still moved tons of hay and grain. Carrying several 50-pound hay bales is quite a task; doing the same through drifting snow and arctic winds is heroic! The folks who do this day-in and day-out do not see themselves as heroes, however. They have a deep dedication to the animals that make Greenfield Village home. This is inspiration enough to do whatever is required—and more!

As the days get longer, the sun stronger, and birdsong louder, we think about spring and our spirits are lifted. On the farm, spring means new life: blossoms, pasture grasses, oats, wheat… and lambs! As we prepare for our new arrivals (which should begin around the same time Greenfield Village opens for our guests), staff are busy preparing lambing jugs—small, private pens wherein lambs and mothers can bond, shearing pregnant ewes so that they are more comfortable and hygienic for birthing, and undergoing yearly special training that prepares everyone for the challenges and excitement that comes with lambing.

Despite the threat of more snow and cold temperatures, we know both spring and lambs are on the way… and we are eager to share both with our guests when Greenfield Village opens on April 15th! See you then.

Ryan Spencer is former Senior Manager of Venue Interpretation and Firestone Farm at The Henry Ford. He encourages all to think spring!

agriculture, farms and farming, by Ryan Spencer, farm animals, Greenfield Village

World War II Poster, "Free a Man to Fight," 1943. Made by the artist Leslie Darrell Ragan (1897-1972) and published by the Brett Lithographing Co. for the New York Central Railroad. (ID THF154861 / 2013.49.1 )
Women have always worked and worked hard. But how and where has changed over time. During the 19th century, the growing middle class in America promoted the ideal of a woman's primary work being in the home. This viewpoint promoted a woman's primary role at home to make it a haven for her husband from the evils of the outside industrial world and a place to rear civilized children. This ideal of women's place continued throughout much of the 20th century – except when the U.S. faced global wars. I think that looking at posters in our collection from World Wars I and II provides a fascinating view of women's changing roles during these all-out national defense efforts.

A colleague's insightful blog post from March 19, 2012, focuses on the famous "Rosie the Riveter" poster and many photographs of women factory workers at Ford Motor Company during the 1940s.

The first poster (above), "Free a Man to Fight," shows a woman worker not in a factory but in a railroad's maintenance roundhouse. She is lubricating a locomotive wheel, previously a man's occupation. It is part of the early 1940s home front effort encouraging women to join the work force to replace men serving in the armed forces. New York Central Railroad hired the artist Leslie D. Ragan to make the poster artwork. He is the same artist the railroad company used for their well-known posters in the 1920s and 1930s featuring locomotives and travel destinations.

World War I Poster, "For Every Fighter, a Woman Worker," circa 1918
World War I Poster, "For Every Fighter, a Woman Worker," circa 1918. Made by the artist Adolph Treidler (1886-1981) and printed by the American Lithographic Company for the United War Work Campaign and the Young Women's Christian Association. (ID THF81764 / 53.5.406.1).

The next poster, "For Every Fighter a Woman Worker," shows a young woman in a typical factory work outfit from the First World War. She symbolically holds a biplane and a bomb, standing in front of a large blue triangle. In 1914 the Young Women's Christian Association (Y.W.C.A.) was one of a group of organizations in the U.S. that formed the United War Work Campaign, Inc. This campaign recruited women to serve in industry, government and agriculture positions. The Y.W.C.A. supported the war work in diverse ways, including opening and maintaining many "Blue Triangle" houses, which provided safe and morally upright places for young working women to gather for rest and recreation.

World War I Poster, "Back Our Girls Over There, " circa 1918
World War I Poster, "Back Our Girls Over There," circa 1918. Artwork by Clarence F. Underwood and printed in the United States for the United War Work Campaign and the Young Women's Christian Association. (ID THF112607 / 53.5.30.1).

Another poster of the United War Work Campaign and the Young Women's Christian Association, this features a young woman in uniform working a telephone switchboard. The background includes marching soldiers through a window. The Y.W.C.A. helped to recruit and sustain women working for the government in military jobs in the U.S. and abroad during World War I.

World War II Poster, "Equipment is Precious!," 1943
World War II Poster, "Equipment Is Precious!" 1943. Made by the artist B. Rig and printed by the United States Bureau of Engraving and Printing, Washington, D.C. (ID THF111484 / 89.60.5).

During World War II many women served in offices. This U.S. government poster made in 1943 features a young woman cleaning her typewriter in front of an outline of a combat soldier. The text below, pointedly asked women office workers to "Remember his needs. Your care of office equipment will save vital materials and help him win."

World War II Poster, "You, Too, Are Needed in a War Job! Work in a Food Processing Plant," 194
World War II Poster, "You, Too, Are Needed in a War Job! Work in a Food Processing Plant," 1945. Artwork by Frank Bensing (1893-1983) and printed by the United States Government Printing Office for the United States War Manpower Commission, Washington, D.C. (ID THF108510 / 94.5.4).

While many posters focus on harnessing youthful energy for the war effort, the reality during World War II was a collaborative endeavor by all Americans. This poster shows one of the ways mature women could help by working the conveyor line in a food processing plant.

World War I Poster, "The Girl on the Land Serves the Nation's Need," circa 1917
World War I Poster, "The Girl on the Land Serves the Nation's Need," circa 1917. Made by artist Edward Penfield (1866-1925) and printed by United States Printing & Lithograph Company, New York, New York. (ID THF112812 / 89.0.565.88).

Many young men left farms to serve in the military during World War I. An acute labor shortage soon ensued and to help farmers continue producing vital food, the Y.W.C.A. Land Service Committee recruited young women to work on the farms. This poster depicts "farmerettes" wearing uniforms walking next to a team of horses while one carries a rake and another a basket of vegetables. Often working with young women from the cities, the Y.W.C.A. and other groups like the Farm and Garden Association provided these young women with training in agricultural skills.

World War II Poster, "Call to Farms. Join in the U.S. Crop Corps," circa 1943
World War II Poster, "Call to Farms. Join in the U.S. Crop Corps," circa 1943. Artwork by John Vickery (1906-1983) for the United States Crop Corps, Washington, D.C. (ID THF108507 / 94.5.1).

During the Second World War, an agricultural labor shortage again developed. The government formed the U.S. Crop Corps to recruit and train young women from the cities to replace the men called to military service. This poster shows a young woman driving a tractor through a farm field, pausing to turn and give the "V for Victory" sign. The government printed thousands of posters and provided a space at the bottom for use by local groups. This poster has a handwritten note in red pencil following the printed "Enlist Today" by the "Junior Board of Commerce - Philadelphia."

World War I Poster, "Corn, the Food of the Nation," 1918
World War I Poster, "Corn, the Food of the Nation," 1918. Made by the artist Lloyd Harrison and printed by Harrison Landauer for the United States Food Administration. (ID THF62409 / 91.0.93.30).

Even with the successful recruiting of young women to work on the farm, another challenge during wartime is inevitably food shortages. During the First World War "Meatless Mondays" and "Wheatless Wednesdays" became campaigns of the United States Food Administration seeking voluntary changes in the eating habits of Americans. The mainstay of many a woman's work continued to be as food shopper and cook for her family. This poster from 1918 shows a woman cooking muffins and pancakes made from corn products like corn meal, grits and hominy. It was a challenge substituting corn for wheat and the government used this poster to encourage women to do this by promoting corn as "appetizing, nourishing, economical."

Our collection of world war posters from the 1910s and 1940s features women contributing to the war effort in so many different ways. I think it is illuminating to see the variety of jobs that the poster artists chose to help rally women for the national effort during these wars.

By Cynthia Read Miller, Curator of Photographs and Prints at The Henry Ford, with much thanks to the catalogers of our hundreds of world war posters, especially Jan Hiatt, Marian Pickl and Carol Wright.

20th century, 1940s, 1910s, World War II, World War I, women's history, printing, posters, food, by Cynthia Read Miller, agriculture

Donna Braden, Curator of Public Life, had the pleasure of delving into our vast collections to develop the “Ford at the Fair” display, our complement to the traveling exhibition “Designing Tomorrow” that is currently in Henry Ford Museum. Take a trip back in time with her in today's blog post as we head to to the fair.

Welcome to the Ford Building at Chicago’s Century of Progress Exposition here in the year 1934! We hope that our exhibits will inform and inspire you, along with the millions of other visitors we expect to attend the fair and see our exhibits this year. Henry Ford has a passion for world’s fairs and he is always enthusiastic about showing the public how we do things at Ford Motor Company.

Sales Brochure, "Know the Thrill of Driving the New Ford V-8," 1934

How far we’ve come since Mr. Ford invented his first car, the Quadricycle. And although we are currently deep in an economic depression, our exhibits will surely impress upon you how busy we are developing new products for your current and future enjoyment.

Brochure, "Ford at the Fair," Century of Progress Exposition, 1934

We are proud to boast the largest corporate exhibition at the Century of Progress Exposition this year—11 acres in all! Our stunning Exposition Building was designed by Albert Kahn, who has designed many buildings for us, including the exceptional Ford River Rouge Plant. Mr. Kahn cleverly planned the circular court in the center of our Exposition Building to simulate a graduated cluster of gears.

Now come inside for a closer look at how our exhibits present the fascinating story of the Ford motor car.

Globe in Court of the World, Ford Exhibition Building, Century of Progress International Exposition, Chicago, Ill., 1934

First off, you’ll see our centerpiece exhibit, “Ford Industries Cover the World.” This huge rotating globe identifies the locations of our company’s production plants around the world. Our company is truly international in its reach.

Presenter inside the Rotunda of the Ford Exhibition Building, Century of Progress International Exposition, Chicago, Ill., 1934

Circling the outer edge of the center court we present “The Drama of Transportation,” showing the evolution of horse-drawn and horseless carriages leading all the way up to our modern 1934 Ford V-8.

Quadricycle inside Replica of Henry Ford's Workshop, Century of Progress International Exposition, Chicago, Ill., 1934

Now let’s turn left and enter the smaller wing of the building. Here you’ll find the “Henry Ford Century Room,” celebrating 100 years of mechanical progress. This room includes early electric generators brought here from Mr. Ford’s growing collection at his museum in Dearborn, Mich., along with his first workshop and his first car.

Booklet, "The Industrialized American Barn," 1934

Beyond this room you’ll see exhibits reflecting Mr. Ford’s interest in bringing together agriculture and industry, particularly his passion for growing and processing soybeans for car manufacturing. Mr. Ford even staged an all-soybean meal here recently, where he invited 30 reporters to partake of several specially made dishes. The reporters were not so sure about soybeans in their food but they had to admit that the future of soybean-based plastics, paint, and oil looks bright!

Menu of Soybean Dinner Served at Ford Exhibit, Century of Progress, Aug. 17, 1934

Now let’s head over to the large wing on the other side of our Exposition Building. Here we have many exhibits that showcase our modern industrial practices.

Out of the Earth Exhibit, Ford Exhibition Building, Century of Progress International Exposition, Chicago, Ill., 1934

For example, inspired by Mr. Ford’s passionate interest in using natural materials to manufacture car parts, our “Out of the Earth” exhibit demonstrates how natural resources—like iron, aluminum, rubber, asbestos, and of course soybeans—go into the making of specific parts of the Ford V-8, mounted on top as a cutaway view.

Proof of Safety Exhibit, Ford Building, Century of Progress International Exposition, Chicago, Ill., 1934

Farther down this wing, you can see the amazing “Proof of Safety” exhibit. Here three Ford V-8’s are suspended from the rim of a welded steel wheel of the type used on all our Ford V-8 cars. This should assure you of the strength and dependability of the modern cars we are producing.

Souvenir Brochure, "Roads of the World, Ford Exposition, 'A Century of Progress' Chicago," 1934

While you’re touring the many exhibits and demonstrations at the Ford Exposition building today, be sure to visit our impressive “Roads of the World” display outside. This large oval track features 100-foot-long sections that resemble 19 world-famous thoroughfares, ranging from the earliest Roman roads to the smooth paved highways of today.

Alas, our time is up. We hope you enjoyed your brief tour today, and are as excited as we are about the bright future we all have ahead of us.

Thank you for visiting and come back soon!

A complete gallery of items used in this display can be viewed at Ford at the Fair Exhibition.

Illinois, 20th century, 1930s, world's fairs, manufacturing, Henry Ford Museum, Henry Ford, Ford Motor Company, events, cars, by Donna R. Braden, agriculture

The Firestone Farm corn field is making some terrific progress, even though a flooded field in May forced us to replant. (The weather is something farmers struggle with, regardless of the year— whether it's 1885 or 2011!) In fact, it looks like most of our corn plants will still be "knee-high by the Fourth of July," despite all of our spring flooding - huzzah!

Last week, we cultivated our corn for the second time this year. Cultivating is when we loosen the soil and remove the weeds around each corn plant.

Because the Firestones did not use herbicides to kill weeds in their fields, they planted their corn three feet apart in each direction so that they had room to cultivate.  And like the Firestones, we use a horse-drawn cultivator remove weeds in our cornfield.

Horse-drawn cultivator

We take our cultivator down each row from north to south, east to west, and then diagonally. This takes a great amount of patience and skill on the part of horse, driver and operator.

Cultivating the corn field at Firestone Farm

We used one of our newest horses, Henry, to cultivate. Although he is very young and new to this job, he handled the tight turns well and only stepped on a few corn plants. It looks like Henry and his partner Tom are turning out to be great additions to Greenfield Village!

Henry the Horse

Ryan Spencer is manager of Firestone Farm in Greenfield Village. Working at The Henry Ford was a childhood dream of his – although he did not realize then that it would involve so much manure.

farming equipment, horse drawn transport, Greenfield Village, farms and farming, farm animals, by Ryan Spencer, agriculture

Over the last couple of weeks, our Firestone Farm team began plowing, harrowing and planting in our cornfield, which is adjacent to William Ford Barn.

At Firestone Farm, we use a spring-tooth and spike-tooth harrow after plowing. Plowing is the first step in the process and turns over the dirt, bringing new soil to the ground’s surface; however, it also leaves the ground very uneven, almost like waves on a choppy lake. Harrowing breaks up clods of dirt, knocks down high ridges and fills in troughs (called furrows) until the ground is smooth enough to start planting.

 

Next came the planting. We planted a very old variety of corn, called Reid’s Yellow Dent, which was used by farmers all over the United States in the late 1800s. The corn is planted by hand using a tool called a corn jabber.

Ryan with corn jabber

A piece of twine with knots every three feet is stretched across the field. Two farmers work their way towards the middle of the field, planting corn wherever there is a knot in the twine.

Planting along rows - Photo by Lee Cagle

When they meet in the middle, Firestone farmers give each other a friendly handshake—a Greenfield Village tradition and a sign of camaraderie in hopes of a good crop yield.

Handshake - Photo by Lee Cagle

Spacing the corn three feet apart will allow Firestone farmers to take a horse with a special tool called a cultivator in between each row to remove weeds. Later, farmers will plant pumpkins alongside their corn; the pumpkin vines will spread all over the ground and help keep weeds under control.

Be sure to stop by and watch the corn’s progress each week!

farming equipment, Greenfield Village, farms and farming, agriculture

It's finally time - Greenfield Village re-opens this Friday, April 15! All this week, we'll focus on some of the special springtime activities that you'll see around Greenfield Village as you take that first stroll of the season. See you soon!

There are signs of spring all over Firestone Farm in Greenfield Village: the weather is finally warming, our winter wheat is turning our field a nice shade of green, and our sheep are ready for us to shear their wool in time for warmer months ahead.

During your April or May visit to Greenfield Village, you just might catch our farmers shearing our special wrinkly Merino sheep with the same technology used by shearers on Firestone Farm in 1885.  Want a preview? Watch our video of the sheep-shearing here (which is time-lapsed - it takes quite a bit of time!) and learn more about this process, then come visit in person and find out about the Firestone family and how their resourcefulness helped them make a profit from the wool off of their sheep.

And do those sheep look comfortable or what? It's actually a natural response to when their feet come off the ground - it puts them in a relaxed state, which makes the shearer's job that much easier!

Plus, our on-site and online stores are now offering a special shearing discount for high-quality yarn made right from our own sheep - two skeins for $35! Pick up a few, then get busy making your own piece of history!

Ryan Spencer is manager of Firestone Farm in Greenfield Village. Working at The Henry Ford was a childhood dream of his – although he did not realize then that it would involve so much manure.

by Ryan Spencer, agriculture, Greenfield Village, farms and farming, farm animals

It seems an odd notion, but as the days grow shorter and autumn’s colors begin to creep into the trees and hedgerows of Greenfield Village, the geese take wing in to their formations, and the smell of wood smoke fills the air, the connection to the past seems even stronger. For those of us who work in the living history areas of the Village, there is also a strange pressing need associated with this change of the season to begin the preparations for the long winter ahead.

At the two main living history sites in the Village, Daggett Farm and Firestone Farm, the slower pace of the long summer days begins to quicken as the harvest season approaches.  For our visitors, it’s a fascinating view of preparations and work with similar goals, but with very different sets of tools and technology available to achieve these goals.  The colonial Daggett family and the Victorian Firestones both needed to harvest their crops, store away vegetables and fruits, and prepare and preserve a winter’s meat supply.  And, everybody made cider!

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recipes, Greenfield Village buildings, Greenfield Village, food, farms and farming, Daggett Farmhouse, by Jim Johnson, agriculture