Posts Tagged power
Elon Musk thinks big. The mission of his car company, Tesla Motors, is “to accelerate the world’s transition to sustainable energy,” while his commercial space travel business, SpaceX, aims “to revolutionize space technology, with the ultimate goal of enabling people to live on other planets.”
In June 2008, The Henry Ford visited SpaceX’s Hawthorne, California, campus to interview Musk about these lofty goals, a trip that resulted in a lengthy oral history now available online in both video and transcript format as part of The Henry Ford’s Visionaries on Innovation series. At the time the interview was conducted, Detroit photographer Michelle Andonian also documented the whole experience, taking many pictures of the facility, the museum staff who participated, and Musk himself. We’ve just added nearly 200 of these images to our Digital Collections, including this photo of Musk hard at work at his desk.
Visit our Digital Collections to enter Elon Musk’s world through these images.
Additional Readings:
- Ingersoll-Rand Diesel-Electric Locomotive
- The Allegheny Articulated Steam Locomotive: Technology Pushed to the Limit
- Westinghouse Portable Steam Engine No. 345
- IMLS: Looking Back & Moving Forward
California, 21st century, 2000s, space, power, entrepreneurship, digital collections, cars, by Ellice Engdahl, alternative fuel vehicles
There has been a lot going on at The Henry Ford lately – our Beatles exhibit has just closed, the new Davidson-Gerson Modern Glass Gallery is soon to open, and the conservation department has been involved with those goings-on and more. Even though there’s a lot of change and activity, our IMLS-funded grant project to work on our electrical collections continues at a steady pace. As we approach the halfway point in the grant, we are also approaching 450 objects conserved – the halfway point of our 900-object goal!
Conservation Specialist Mallory Bower and Senior Conservator Clara Deck clean objects in the Collections Storage Building.
We have been continuing to make regular trips to our Collections Storage Building (CSB) to select artifacts for inclusion in the grant; while we’re out there, we give them an initial clean, before bringing them into the museum to be fully conserved, then photographed and packed.
Collections Specialist Cayla Osgood brings down the dynamo on a forklift while Mallory “spots”, keeping a watchful eye for corners, overlapping edges, or any other potential issues.
We have recently brought our third “extra-large” object in from CSB, an Eickemeyer Dynamo. When choosing objects to bring in, we take into account the wants and needs of other departments of the museum, and we chose this object as there was some interest in it from the curatorial department. Since it was high up on a shelf, it had been a little while since they were able to inspect it up-close – there was a lot of excitement when we brought it in! Although it will not be going on display, it is now clean and accessible, and soon it will be digitized and available online. 
The Eickemeyer Dynamo, retrieved from storage (32.107.1)
The dynamo did not need an excessive amount of treatment, largely a brush/vacuum to remove storage dust, plus removal of a little copper corrosion on some of the fittings on the ends. (Want to read more about our “extra-large” objects? Check out our previous blog post!)
A circuit breaker with a marble base, during treatment (29.1333.292)
Although the “extra-large” objects have been focused on quite a bit in our blogs, most of what we do involves much smaller objects. There are so many different materials and types of objects, we have a lot of interesting challenges to work through. Something of particular note that we have come across a few times now is objects with marble bases, like this circuit breaker. The marble is frequently very dirty, with staining and significant accretions, and, as in this case, also cleans up fairly well! This “in progress” shot shows how different the object can look from when we get it out of the Collections Storage Building to when it’s clean and finished, ready to be digitized and packed.
So that’s where we stand currently, nearly halfway through our IMLS grant, working away on lots of electrical objects. Keep your eyes peeled for future blog posts with updates on our progress!
Louise Stewart Beck is former IMLS Project Conservator at The Henry Ford.
power, electricity, IMLS grant, #Behind The Scenes @ The Henry Ford, collections care, conservation, by Louise Stewart Beck
We continue to work on our IMLS-grant funded project to conserve, catalog, photograph, rehouse, and digitize 900 artifacts from our electrical distribution equipment collection. A number of the meters and other artifacts we’ve turned up during that project were created by the Fort Wayne Electric Works (also known as the Fort Wayne Electric Corporation), an Indiana company that manufactured electrical equipment and other items in the late 19th century. To accompany the artifacts, we’ve just digitized photographs from our Fort Wayne Electric Works archival collection, which show various parts of the factory around 1894—including this shot of the testing and calibrating laboratory.
Connect our Fort Wayne artifacts with our Fort Wayne photographs for yourself by visiting our Digital Collections.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Additional Readings:
- 1899 Locomobile Runabout: Freedom on Wheels
- Maudslay Production Lathe, circa 1800
- Gas-Steam Engine, 1916, Used to Generate Electricity at Highland Park Plant
- Surprising Stories from IMLS Discoveries
Indiana, 19th century, power, photographs, manufacturing, IMLS grant, electricity, digital collections, by Ellice Engdahl, archives
We are about 35% of the way through our 24-month project to digitize 900 artifacts from our electrical distribution collections, thanks in large part to a generous grant from the Institute for Museum and Library Services (IMLS), and nearly 100 objects from the grant are currently accessible through our Digital Collections.
Outside that project, but on a related note, we’ve just finished digitizing 132 photos of figures associated with the same companies as the objects we’re digitizing in the grant. For example, now you can see images of people associated with Westinghouse Electric Company, and also find objects created by that company, most of which were conserved and photographed through the grant. One intriguing image we found is this 1880 photograph of Thomas Edison associate Charles Batchelor, which notes it is “the first photograph ever taken by incandescent electric lamps.”
Visit our Digital Collections to see all of these portraits of electrical pioneers, and keep an eye out for more artifacts digitized through the grant to be added over upcoming months.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Additional Readings:
- Ingersoll-Rand Diesel-Electric Locomotive
- Rotative Steam Engine, 1788
- From Electric Vehicles to the Stars
- Discovering Context with IMLS
20th century, 19th century, power, IMLS grant, electricity, digital collections, by Ellice Engdahl
Conservation specialist Mallory Bower and collections specialist Jake Hildebrandt removing objects from shelving in the Collections Storage Building.The Henry Ford has recently embarked on a new adventure, thanks to a grant from the Institute of Museum and Library Services (IMLS) which allows us to spend time working on the electrical collections currently housed in the Collections Storage Building. This is The Henry Ford’s second IMLS grant dedicated to improving the storage of and access to collections. The first grant focused on communications technology, and was completed over two years, ending in October 2015. At the end of that grant, more than 1000 communications-related objects were conserved, catalogued, digitized, and stored, marking a huge improvement in the state of the collections and their accessibility. We have similar goals for this grant, as we aim to complete 900+ objects by October 2017.
digitization, electricity, power, by Louise Stewart Beck, conservation, collections care, IMLS grant, #Behind The Scenes @ The Henry Ford
As the story goes, William Ford traveled to Philadelphia for the Centennial Exposition in 1876. William, a farmer from Springwells Township in Wayne County, Mich., took a keen interest in the agricultural displays. One device struck him as particularly useful, a Stover Windmill, or as the Stover Wind Engine Company's advertisement called it, "Stover's Automatic Wind Engine." Continue Reading
Greenfield Village history, Henry Ford, Greenfield Village buildings, Greenfield Village, Ford family, power, agriculture
In the era before photography, masks — cast from molds taken directly from an individual's face or hands — were a means of making a portrait without resorting to the services (and perhaps shortcomings) of an artist. By the mid-twentieth century it was far easier to make a photographic portrait than to go to the trouble of making a mask. The detailed and lifelike quality of masks — taken from living or recently deceased individuals — ensured the survival of the process.
This copper mask captures the likeness of electrical pioneer and experimenter Nikola Tesla. It was made immediately upon the latter's death in 1943, at the request of publisher and writer Hugo Gernsback, a friend of Tesla's. Continue Reading
Curator of Public Life Donna Braden has used the phrase “bottomless pit of wonderfulness” to describe The Henry Ford’s collections, because they are so vast and so full of significant artifacts. One downside of the amazing quantity and quality of our holdings is that only a very small percentage are on display on our campus at any given time. However, we are often able to get some of these artifacts out of storage and on public display by loaning them to other museums and institutions. We currently have over 200 artifacts on loan, and about 60 of these can be viewed through our digital collections as well. One such item is this radiation portal monitor, used at Enrico Fermi Atomic Power Plant (Fermi 1), which is on loan to Monroe County Community College in Monroe, Mich., for an exhibit about the plant. See more artifacts related to Fermi 1 (a number of them also on loan), and view thousands of objects, documents, and photographs not currently on public display, by visiting our digital collections.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
The broad iconic power of steam engines is maintained by the continued appeal of steam locomotives—an appeal kept fresh no doubt by Thomas the Tank Engine or the Hogwarts Express of the Harry Potter series. The visual impact of the earliest stationary steam engines, while less defined in the popular imagination, is undeniable when encountered in person: early beam engines exert a powerful presence, whether through their immense scale, exposed mechanical elements, or general complexity. And there is often a note of recognition—they are often identified by visitors as distant relatives of the familiar bobbing pumps found in oilfields. Continue Reading
18th century, Michigan, Dearborn, Europe, 20th century, 1920s, power, Made in America, Henry Ford Museum, Henry Ford, by Marc Greuther
Before the Age of Steam, American farmers hand-threshed wheat or oats with a flail. Threshing machines powered by horses or portable steam engines increased daily production of threshing by a hundred times.
In the 1800s, the large number of horses required for farming consumed a lot of grain. Starting in the 1860s, farmers began threshing grain to feed those horses with a cousin of the "iron horse" - a steam traction engine like the Port Huron Thresher shown above.
As a Michigan farm boy, Henry Ford recorded his first sight of a traction engine: "I remember that engine as though I had seen it only yesterday, for it was the first vehicle other than horse drawn that I had ever seen. It was intended to drive threshing machines and power sawmills and was simply a portable engine and a boiler mounted on wheels." The steam traction engine inspired Ford to design and manufacture automobiles. To other rural people it represented a grand transition in American agriculture, and a new community activity. Continue Reading
farming equipment, power, Greenfield Village, engines, agriculture
